The Frogs Have More Fun...

Flowers



"All the names I know from nurse:
Gardener's garters, Shepherd's purse,
Bachelor's buttons, Lady's smock,
And the Lady Hollyhock.

Fairy places, Fairy things,
Fairy woods where the wild bee wings,
Tiny trees for tiny dames.
- These must all be Fairy names !"

(from Child's Garden of Verses
by R.L. Stevenson)


"Anyone can write a short-story.
A bad one, I mean."

(R.L. Stevenson)
----------------

"Science without conscience is the Soul's perdition."
- Francois Rabelais, Pantagruel
- Acc to/above is citated from: Medical Apartheid. The dark history of Medical Experimentation on Black Americans from Colonial Times to the Present, by Harriet A. Washington (Doubleday ; 2006 ; p. 1.)

----------------
"In the high society of the first half of the century, marriage, despite it's bestowal status upon the wife, was the most absurdity. Marriage, conferring instanteous rank or money, ... lost most of its prestige and moment right after the wedding. ...By the end of the century, spurred by Rousseau's moralistic Nouvelle Hèloíse, a contrary cult, that of virtue, arose. After 1770 conjugal and maternal love became not merely admissible, but, for some, moral imperatives. ...

[...]
...Rousseau, who sought for himself the crown of morality in ostensibly defending marriage, presents in his Nouvelle Hèloíse the most enticing and extended defense of illicit love ever penned. The root of the problem is that as the century progressed sensibility became confused with morality: passionate feeling, if expressed in a highly civilized mode with grace and nuance, makes us forgive the Rousseau of The Confessions, for example, his pettiness, his jealousies, his betrayals. This moral-amoral byplay, present already in the novels of Richardson, was to be more intense as the century unfolded."
-
Madelyn Gutwirth : Madame De Staèl, Novelist. The emergence of the Artist as Woman (10,15.)

;
"...As the social contract seems tame in comparison with war, so fucking and sucking come to seem merely nice, and therefore unexciting. ... To be 'nice', as to be civilized, means being alienated from this savage experience - which is entirely staged. [...] The rituals of domination and enslavement being more and more practiced, the art that is more and more devoted to rendering their themes, are perhaps only a logical extension of an affluent society's tendency to turn every part of people's lives into a taste, a choice; to invite them to regard their very lives as a (life) style." - Susan Sontag , on 'Fascinating Fascism' (-74; p 103;104-5 at Under the sign of Saturn)
; "Anyone who cannot give an account to oneself of the past three thousand years remains in darkness, without experience, living from day to day." (Goethe) - as cited by Sontag (on same compile; p. 137.)

;
"It is widely accepted that we are now living in the 'Anthropocene', a new geological epoch in which the Earth's ecosystems and climate are being fundamentally altered by the activities of humans. I loathe the term, but I can't deny that it's appropriate."
; (Goulson), Silent Earth : Averting the Insect Apocalypse (2021; p 47.)
;
"It is sometimes said that humanity is at war with nature, but the word 'war' implies a two-way conflict. Our chemical onslaught on nature is more akin to genocide. It is small wonder that our wildlife is in decline."
; (Goulson, 2021 ; 118.)
;
----------------
"If we believe absurdities, we shall commit atrocities." (Voltaire)
- Citated from; (Joy, Melanie), Why We Love Dogs, Eat Pigs and Wear Cows : An Introduction to Carnism(2010; p. 95.)
;

"In the presence of the monster, you have eyes and ears for nothing else."
; (Flora Tristan) : London Journal of Flora Tristan: the Aristocracy and the Working Class of England ; 1842-edit. (tr: 1982. ; p. 71.)

;
"Every minority invokes justice, and justice is liberty.
A party can be judged of only by the doctrine which
it professes when it is the strongest."
Mdme de Staêl
(on) 'Consideration sur le Révolution de la Francaise' [1818]


12/16/11

The MuleSkinner Book Recommendation # 32


Robert Louis Stevenson : Black Arrow (1883) / Child's Garden of Verses (1885) 

[Recommendation(s) V / 2011]






"The air was raw and pointed, but not far below freezing, and the flakes were large, damp and adhesive. […] High up overhead the snow settled among the tracery of the cathedral towers. Many a niche was drifted full; many a statue wore a long white bonnet on it's grotesque or sainted head. The gargoyles had been transformed into great false noses, drooping towards the point. The crockets were like upright pillows swollen on one side. In the intervals of the wind , there was a dull sound of dripping about the precincts of the church."
(From)  Lodging for the Night – A story of Francis Villon (New Arabian Nights, p. 1882)

...Cited sentences on begin of this recommend I thought for a good excerpt to show some best elements at the Stevenson's (1850-94) depiction and narration. Although in the most stories it's the catchy narration that perhaps plays most meaningful part, his writing often finely describes places and surroundings too. This excert (and the story) seems mentioned to belong for his earliest written fiction (or at least published), so maybe it is also even bit more carefully built than some later wrote stories. But, typically it has nice paragraphs from the place, situation and the circumstances (The weather), which then lead the reader for the actual story.


Treasure Island map from books
19th century edition.
(pic from Harman's biography)
This recommendations sequel resulted originally from abrupt awakening to notice that I hadn't read much anything from Stevenson [RLS]. Even that the author is a world renown of couple of his books; Other that (perhaps) most popular adventure story for the youths (and adult), The Treasure Island (1883) (...or, 'Sea Cook' as the manuscript originally was named). The other famous book of RLS, The Strange case of Dr Jekyll and Mr Hyde (1886), is not quite as famous, but appears be some cornerstone on horror from the 'Victorian era' (that late 19th century). It is said not read by so many, but book even preceded emergence of modern psychology as the scientific theory, and also has later settled for part of a common language. (So, the Jekyll/Hyde often is loaned to language as synonym for a term referring to so called "split personality"). More generally the book itself can be described as the most borrowed source at much of the 20th century popular fiction/entertainment. Take, fx, almost any popular movie containing elements of horror or fantasy, and most likely there's something on the characters/scenes/etc., inspired from this classic story. (...Of the movies that I've recently seen fx the Gremlins – in particular 'New Batch' (1990) and Lords of the Rings (2000s) first come to mind. But you name it, there's probably lot more examples than it's equally numerous adaptations for the film and stage - Which, seem said count well over the hundred separate adaptations, solely).


Anyway, as I had read both of the books mentioned and not much anything else from RLS (like most people, probably), I made a little effort to mend that hole at my literary knowledge and also took on to read Claire Harman's biography from Stevenson. (Listed at the end of this post). Harman's biography doesn't completely escape from that 'maze of gossippean stories' and other stuff (feels to me that's somewhat 'besetting difficulty' for almost anything written about Stevenson's life and works). Yet, the biography succeeds make a good literature portrait. ...So it's also some alternative recommended reading at this instance. Of course, there seems be plentiful biographies been written, old and new. (At least, couple other books seem seen the light during latest decades ...Probably there's even some more as the Stevenson study is said have 'relived' renaissance during/since about late 1990s.)




The strange (literary) place of the (author) R.L.Stevenson. Despite of that the mentioned books (solely) form the better known fiction written by RLS, recent research seems have recognized him for very productive author. Only that Stevenson's most passionate habit was starting ever new projects of which relative few were finished. (Harman fx seems notice at her introductive words that RLS 'made great many beginnings and relatively few ends'). Considering the previously said, and also Stevensons ill health, seems actually even more surprising that he was able finish such excessive amount of texts. ...(According Harman) the total extent of RLS's unpublished works had not become more clear until about 1980s. The combined works seem said list closely 400 separate items; And so she as well writes that '[Stevenson] with a little push one way or other might not've been known as author of Treasure Island and Dr Jekyll & Mr Hyde but as playright of 'Kings' Rubies' and biographer of Viscount Dundee.' Also, fx it is noticed that the actual reason for that Treasure Island – like also the historical novel Black Arrow, book viewed later at this, and another renown novel Kidnapped (p. 1886) - to ever even were finished, was because Stevenson was writing them to a Youth Folks (a magazine) and wouldn't allow himself to disappoint his young readers on that case. Also, Harman seems fx say that the 'sense of urgency about establishing himself as a writer that Stevenson felt and his friends shared was sharpened by their concept of him as doomed to die young.' Hence the great many unfinished works, or at least feels logical for assuming so.

Stevenson was already at his own times recognized for quite peculiar character (explains also, at least partly, the large number from later researches and studies). His life contained many a struggle because of his ill health, however that didn't prevent it from having contained exciting chapters and circumstances. In spite of his (relative) brief life he made rather exceptional travels (Or, some real life 'adventures', at least so those must have seemed on his own times, and still do... Seems it been remarked that those sometimes were as adventurous than his best stories; Fx, the journey to meet his later wife has episodes that almost give an impression of being from some later western-movie. - And, vice versa, actually some of RLS's stories succeed reach very great realistic tone, to a level that them much feel like real-life episodes). But to keep this brief, it could also be fx said from him to have '...tramped on many places of Earth, camped frequently with the "Bohemian queen", and hastened at his days to accomplish several many projects and stories.' (...of course, previous just some verses of my own inventing...).
 


As the author Stevenson already was well appreciated even prior his wider fame (which was on mid/late 1880s), only that he (seems) 'failed' ever to have delivered some full-lenght masterpiece that would have canonized his place as a 'serious author' in the contemporary criticism. (And also secured some recognized status in the eyes of later criticism.). Due that perhaps, after Stevenson death, his status mostly was settled for that of a world renown writer of youth adventures et similar. More of this literary reception, and later de- and re-canonizations can be viewed fx from Stevenson's bio at Wikipedia (; Under topic modern reception).


 
The study of some recent decades has also recognized certain texts of RLS's for early 'precursors' of the post-modernist writing. Also, Harman writes that the detective character of RLS's creation (on New Arabian Nights) a lot inspired A.Conan Doyle (1859-1930) when he put on paper those famous Sherlock Holmes-stories.
The newer studies from life and works of RLS seems make equally large amount in total; Random search from the local database listed me about 300 items. (Although those possible contain number of entries to some unrelated texts also). ...Anyway, I've only listed couple of those at further readings on this. There's some book that I thought might be interesting because it discusses the influence(s) of the evolutionary science on Stevenson (or his writing, apparently). Stevenson was, along with his various other readings, well famialirized about views of Darwin (which also brought disagreement with his father, although the relations later somewhat settled). The other research I picked just because it seems interestingly adjoin that Jekyll & Hyde story for the cultural and technological changes at the late 19th century (discusses as well how some other novels reflect that) ...That's actually some 'close-reading' from those novels and contains quite theoretic terminology, etc. But seems an interesting view-point also, anyway.
Like noted earlier , the works of RLS seem very multisided. It's said that the planned and finished works contain fx historical biographies / researches, essays, poems, literary theory, travel books, pamphlets and also large correspondence (typical for people at that time, of course). There's (ao texts) fx many travel essays with the very nice descriptions from places and natures, roads and towns, etc. Actually (feels to me) that those essays are sometimes more interesting reading if compared than some of (his) fiction/novels - Due because many from the latter mentioned might feel a bit dated from a modern reader's perspective.


For his last years (due health reasons, around later 1880s) Stevenson moved to Samoa. His writings from that time (In the South Seas, 1896) also fx take keen interest for the negative consequences from European colonization of the Polynesian islands. ...Which were view-points not so commonly noticed by most from his comtemporaries. Stevenson wasn't of course first European novelist to arrive or write from those places - fx, Herman Melville (1819-91) has a few renown books from mid 19th century Pacific. Yet, few other thinkers at the time probably ever paid much attention for such questions as the drastic depopulation of native people on Polynesia (much due the European brought diseases, ao), or the colonial politics at the time. From some part Stevenson's text maybe reflects it's own period and attitudes, and them likely were influenced by the 19th century social sciences; Herbert Spencer's theories about nations and races, most probably. But Stevenson's writing always is very fresh, sometimes even surprisingly modern when viewed of today's great distance of time (Although, that was written closer the turn of the 20th century.). Also, 'South Sea' texts have often been found of interest and frequently cited at many later study/by researchers. (Stevenson himself actually considered those articles and essays only as sketches to book(s) thought to be later published, but that never realized. And so the texts appeared just after his death.)

However, those later years has to be left for these few remarks here. There's also fx 'A footnote to History, Eight years of trouble in the Samoa' by RLS (1891), written as some direct criticism of the colonial politics of it's time. Although that also never received much attention, it makes an example from Stevenson's (political) activity at the time. For the interested there's of course also various texts from the era, and as well later books and studies about that 'Stevensoniad' on Pacific...


 
Finally, a brief return for that classic Jekyl/Hyde-story (...Because seems it always to resurface on various contexts): Basically it's said usually interpret as a story from the good and evil (Or, story about the 'Evil that haunts all men', in case we wish to use such phrase). Harman seems also mention the other quite appreciated horror-tale by RLS, Markheim (1884). That is sometimes considered/seen form an early source for that Jekyll/Hyde-novellette. Short-story (Markheim) is also said having a lot similarity with the Dostoevsky's (1820-60) The Crime and punishment (p. 1866). Feels to me rather interesting (also thinking the later creation of a Jekyll/Hyde story), because there's indeed lot in common on 'Author-portraits' from Dostoyevsky and Stenveson.  Both are fx realists but in both cases that realism is somewhat 'odd', even bizarre. Also, they seem find more interest for their evil characters than the more 'honorable' personnel. (Or, alternatively stated, to both author's the question about human capability for evil deeds plays a crucial part on much of their writings/fiction.)

Anyway, the book (ie Jekyll/Hyde novellette) has always been an enormously influential story. I'm also to mention from my own earliest experience of the book. I happened to loan it as an audiobook. If told by some by good reader it's at least lot more thrilling than most filmations of the story. (With the original text, of course.)


Conventional 'abnormal' story for the boys. (...and some 'childish' poems). The book selected here are only some that I had time to read recently. Perhaps no coincidence that them both represent 'youth' fiction. Black Arrow (books also known by subtitle Tale of the two Roses), is a story situated on period from War of the Roses (Battle for power between the parties of York and Lancaster in the middle-age Britain - Actually, perhaps the reason I chose just this book for our example, was because I years ago read the story from some cheap comics magazine. Don't recall if the mag even had the name of the story's original author printed, possibly not, but anyway I was later somewhat surprised to find it actually been written by RLS).
In brief it's a historical youth fiction, rather typical to it's publication time. Black Arrow was written for some kind of following to the hugely popular Treasure Island, for the book also was at first published on Young Folks-magazine (on 1883, it not appeared as book before 1888). Like the treasure Island, story was originally published under pseudonyme, but it's writing appears been quite different process. Black arrow is said been put for paper during just about a couple months period. That somewhat shows, and basically the book is indeed quite conventional historical novel; The main hero appears almost insignificant of characteristics, the plot follows very unsurprising paths ...And even the ending ain't very inventive or original. Story's elements contain fx the revengeful Robin hoodian-bowmen, knighthood stories, castles and battles, and, the necessary romance.

...However, fx the introduction to story (or, how begins this adventurous youth fiction) is somewhat peculiar. Reader is lead for the story with a scene where some of it's characters kind of foretell the events to follow (chapter is also used for to describe those vengeageful arrows that form some main theme on books story-plot). It appears quite strange setting for begins of this kind youth fiction of the 19th century. Book also has lot purpose for (some morally valuing) realism, particularly what comes to the depiction from some of  it's characters. Of course, that also makes the book little contradictional, seems that there's passages written purely in form of typical romantic fiction and then, occasionally, chapters where this 'strive' for 'realism' prevails to the point that result appears quite confusing, and not very successfull in either way. But, Black Arrow is not a total failure for a book of it's kind. Considering how quickly it was written it's actually quite good. (Even though, Stevenson himself seems said have disliked novel on his later comments about it.)  In spite of that, the book also has found it's way for readings at some old youth books classics series - Accompanying there novels by other famous youth fiction authors, such as Defoe, Kipling, Verne, Sienkiewicz...


...A cover from books early 20th century edition
 (from it's Gutenberg text).

"The Moon has face like the clock in the hall;
She shines on thieves on the garden wall,
 and harbour quays; And birdies
asleep in the forks of the trees."
Our additional selected recommend, Child's garden of Verses (1885), is a book of some prose lyric. The story tells that RLS was writing the book in during a period of his repeating illnesses that practically prevented all his other work. Makes it actually even more respectable an achievement. Said also from always been amongts his most beloved books, at least on his home country (The book also has been translated for quite many languages, most probably). Written in a form of lyric-prose, Child's garden of verses has somewhat random collection of little 'poems', or stories told in the childish manner (or, from a view-point of a child). A lovely little book, recommendable for the adults just as well. (And, as I don't usually read much poetry, this should be enough said on this. I guess that also gives us additional good reason  select it too for these recommendations of ours.) (W-G.).
  






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(Some) suggested further readings:
  
Book cover (Biography).
Harman, Claire : Robert Louis Stevenson. A biography. (Harper Collins, 2005)

Law, Jules: There's something inhuman about Hyde. (Forum on Fiction. V.42 Iss 3, p504-510 ; DOI: 10.1215/00295132-2009-048 )


Reid, Julia: Robert Louis Stevenson and Evolutionary Science. (2002)




(...And probably there's a multitude of pages on web, devoted for Stevenson and his fiction.)

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