The Frogs Have More Fun...

Flowers



"All the names I know from nurse:
Gardener's garters, Shepherd's purse,
Bachelor's buttons, Lady's smock,
And the Lady Hollyhock.

Fairy places, Fairy things,
Fairy woods where the wild bee wings,
Tiny trees for tiny dames.
- These must all be Fairy names !"

(from Child's Garden of Verses
by R.L. Stevenson)


"Anyone can write a short-story.
A bad one, I mean."

(R.L. Stevenson)
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"Science without conscience is the Soul's perdition."
- Francois Rabelais, Pantagruel
- Acc to/above is citated from: Medical Apartheid. The dark history of Medical Experimentation on Black Americans from Colonial Times to the Present, by Harriet A. Washington (Doubleday ; 2006 ; p. 1.)

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"In the high society of the first half of the century, marriage, despite it's bestowal status upon the wife, was the most absurdity. Marriage, conferring instanteous rank or money, ... lost most of its prestige and moment right after the wedding. ...By the end of the century, spurred by Rousseau's moralistic Nouvelle Hèloíse, a contrary cult, that of virtue, arose. After 1770 conjugal and maternal love became not merely admissible, but, for some, moral imperatives. ...

[...]
...Rousseau, who sought for himself the crown of morality in ostensibly defending marriage, presents in his Nouvelle Hèloíse the most enticing and extended defense of illicit love ever penned. The root of the problem is that as the century progressed sensibility became confused with morality: passionate feeling, if expressed in a highly civilized mode with grace and nuance, makes us forgive the Rousseau of The Confessions, for example, his pettiness, his jealousies, his betrayals. This moral-amoral byplay, present already in the novels of Richardson, was to be more intense as the century unfolded."
-
Madelyn Gutwirth : Madame De Staèl, Novelist. The emergence of the Artist as Woman (10,15.)

;
"...As the social contract seems tame in comparison with war, so fucking and sucking come to seem merely nice, and therefore unexciting. ... To be 'nice', as to be civilized, means being alienated from this savage experience - which is entirely staged. [...] The rituals of domination and enslavement being more and more practiced, the art that is more and more devoted to rendering their themes, are perhaps only a logical extension of an affluent society's tendency to turn every part of people's lives into a taste, a choice; to invite them to regard their very lives as a (life) style." - Susan Sontag , on 'Fascinating Fascism' (-74; p 103;104-5 at Under the sign of Saturn)
; "Anyone who cannot give an account to oneself of the past three thousand years remains in darkness, without experience, living from day to day." (Goethe) - as cited by Sontag (on same compile; p. 137.)

;
"It is widely accepted that we are now living in the 'Anthropocene', a new geological epoch in which the Earth's ecosystems and climate are being fundamentally altered by the activities of humans. I loathe the term, but I can't deny that it's appropriate."
; (Goulson), Silent Earth : Averting the Insect Apocalypse (2021; p 47.)
;
"It is sometimes said that humanity is at war with nature, but the word 'war' implies a two-way conflict. Our chemical onslaught on nature is more akin to genocide. It is small wonder that our wildlife is in decline."
; (Goulson, 2021 ; 118.)
;
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"If we believe absurdities, we shall commit atrocities." (Voltaire)
- Citated from; (Joy, Melanie), Why We Love Dogs, Eat Pigs and Wear Cows : An Introduction to Carnism(2010; p. 95.)
;

"In the presence of the monster, you have eyes and ears for nothing else."
; (Flora Tristan) : London Journal of Flora Tristan: the Aristocracy and the Working Class of England ; 1842-edit. (tr: 1982. ; p. 71.)

;
"Every minority invokes justice, and justice is liberty.
A party can be judged of only by the doctrine which
it professes when it is the strongest."
Mdme de Staêl
(on) 'Consideration sur le Révolution de la Francaise' [1818]


9/9/10

Muleskinner Book recommendation # 25


The Wind's Twelve Quarters
by Ursula K. Le Guin

(Short-stories selection; Orig. p. 1975)


[Recommendation 3 / 2010]



Sequel this time appears sort of side-step from our earlier favored fields on literatures, books, sciences, etc. Actually very welcome one, since - for change – we have a 20th century science fiction, generally somewhat more 'modern' literatures than our usually favored old classic fiction. Having not any especial reason to select exactly this collection (stories originally published between 1963 to -74) and also not very comprehensively familiar with the authors other output, I try keep the recommendation in short.

Forewords on the translated version (p. 2005) mention that Ursula K. Le Guin (b. 1929) may be the last alive from the 'great authors of the science-fiction' (or from the originators of the modern S-F genre - one is probably free to decide from whom other that group might consist from). Certainly I have no reason to disagree, reading these stories only consolidates that statement. Le Guin has also been very productive for the most recent years still, fx she has written several further sequels (and 'parallel' story-line) for her famous Earthsea-trilogy (orig. p. 1977-78). Even though I find some of those later sequels little more difficult to relate or 'digest' as individual chapters of the similar universe than what presented on earlier sequels, probably it's also from that I've read only some of them, occasionally. However, above presented praises appear most rooted for the fact that she is renown of her very unique style - from which these early scifistic short-stories probably represent some good picks. 
 

My own acquintance on Le Guins novels began on the famous prized novel (also known as)  Left hand of the darkness (1969), often mentioned among the cornerstones for birth of the 'modern scifi', or some classic book on the genre. However, at the time of reading it I was pretty young of age, which I guess, sort of prevented me to quite catch from books dualistic and transparent sexual thematics (on the story inhabitants of the planet it is situated on  appear androgynes). But I found it still good and lot different from most usual scifi I was reading at the time (even though most of that other stuff probably consisted from exiting battles ship chases and similar). Collection here presented contains one story (Winter's king) that is related for the novel mentioned, although it's written earlier, and so doesn't represent exactly the same places or storyline.


However, (I think) the fantasy part always felt for me more catching than the scifi, probably so because it remained lot longer as non-mainstream stuff, at least until the 1980s or -90s. That meaning there wasn't still at that time any blockbuster movies similar to those many from science-fiction topics. More lately there's several that could be mentioned, most renown probably Tolkien's 'Ring-trilogy' which was filmed around turn of the century. Also fx the Earthsea from Le Guin was transferred for the animation on some recent years by Miazyaki – the younger, I guess - on 'Tales of the Earthsea'; p. 2006. Anyway, for me (like many I guess), the original acquaintance with the fantasy started from books, especially from those popularly known some by Tolkien and LeGuin...And it's not difficult to guess which of the two always felt more though-raising or 'mystical' (even that I've read my Tolkiens more often probably, and noticeably is also so that the books originally did appear decades apart, Lord of the Rings already on ca 1940s).


The Earthsea-cycle by Le Guin - ie The wizard ; The tombs of Atuan ; The farthest shore – could alternatively have been the selection on this recommendation, unless I'd thought it perhaps too well famous. But the collection at hands, it contains also a few 'pre-tales', or some written before the creation of that fantasy world. The word of Unbinding and The Rule of the Names both represent very imaginative stories, even though they're also lot 'archaic' texts, been written well before the appearance of the Earthsea-stories. The theme on the other focuses on topics like magic and transformation, other is maybe more usual and resembles later stories from it's main elements (wizards and dragons, fx, but appears contain quite surprising and unguessable ending). Most other short-stories are scifi-part, some are very good and some appear perhaps more conventional. Of those I think it adequate mentioning Nine lives, a though-giving clone-story little resembling, and, perhaps little similar by choice from thematics for the Left hand of darkness. Another good one, One's who walk away from Omelas, focuses also on (some) resembling aspects, like the social order, etc. And I not forget mentioning separately also Direction of the road, it tells from...but read yourself, we just notice the story being from the trees (Seems we couldn't completely avoid the environmental theme even on this recommendation... but, actually Le Guin herself, on her forewords that precede each of the short-stories at collection, writes that her books probably contain more mentions of the trees than on works by any other scifi-author. Maybe so.)


So, finally I'll just mention on this the recommendation presenting some better examples of the old-time scifi (and anyone more familiar with Le Guins production and science-fiction in general would probably find lot more to say from and about...but for us this seems quite adequate words said on this instance.) Best part in these short-stories is (actually) that none of them contain any of those elements of the popular, easy, or conventional. Or, otherways said, nothing from those typical cliches and boresome burdens most scifi-movies tend to be spoiled with. (...And if I really think about it, I've actually never seen a good scifi-movie... well, The Empire Strikes Back (1980s) is not too bad ...albeit, maybe it's because it isn't based on any book having appeared earlier. Also, some that've been filmed from Philip K. Dick (1928-1982) stories appear quite satisfactory, even though them usually have been lot modified for the filming.

Nevertheless, I find none of that older, more 'serious' scifi-thematics been turned out as very successful effort, when having been filmed. The popular industries and maybe the change of times much dilutes most from what was good in the early scifi-books...And, War of the worlds (2003), fx, simply was awful...Space Odyssey 2001 (?) based on Arthur C. Clarke's book perhaps could appear as some respectable effort, but the books too philosophical and the movie much too teatrical for my tastes; ...However, R.L. Forward (1932-2002) also has some stories that would make quite decent "serious" science-fiction film (maybe some of those has even been filmed, but I've just not seen them; ?, or, I've not happened to notice if there's any good.) ...And of course, there's some good older B/W-classics and some hilarious funny flicks, ao, the Bad taste (from 1980s).


...But, that's it folks. Better than peanuts, stranger than fiction. I guess, all the formerly said words and most at this recommendation concises for that Le Guin's novels always turn out quite unexpectable. Necessary needs there not be any too carefully structured series of events or happenings in the story, if the book is well written...or the story goes a way that reader rarely guesses it's ultimate ending. Or, maybe the trick is in the style they're written  with (language, or something...) Most briefly, the collection and stories certainly worth checking, some of them real gems. (W-G.)


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