The Frogs Have More Fun...

Flowers



"All the names I know from nurse:
Gardener's garters, Shepherd's purse,
Bachelor's buttons, Lady's smock,
And the Lady Hollyhock.

Fairy places, Fairy things,
Fairy woods where the wild bee wings,
Tiny trees for tiny dames.
- These must all be Fairy names !"

(from Child's Garden of Verses
by R.L. Stevenson)


"Anyone can write a short-story.
A bad one, I mean."

(R.L. Stevenson)
----------------

"Science without conscience is the Soul's perdition."
- Francois Rabelais, Pantagruel
- Acc to/above is citated from: Medical Apartheid. The dark history of Medical Experimentation on Black Americans from Colonial Times to the Present, by Harriet A. Washington (Doubleday ; 2006 ; p. 1.)

----------------
"In the high society of the first half of the century, marriage, despite it's bestowal status upon the wife, was the most absurdity. Marriage, conferring instanteous rank or money, ... lost most of its prestige and moment right after the wedding. ...By the end of the century, spurred by Rousseau's moralistic Nouvelle Hèloíse, a contrary cult, that of virtue, arose. After 1770 conjugal and maternal love became not merely admissible, but, for some, moral imperatives. ...

[...]
...Rousseau, who sought for himself the crown of morality in ostensibly defending marriage, presents in his Nouvelle Hèloíse the most enticing and extended defense of illicit love ever penned. The root of the problem is that as the century progressed sensibility became confused with morality: passionate feeling, if expressed in a highly civilized mode with grace and nuance, makes us forgive the Rousseau of The Confessions, for example, his pettiness, his jealousies, his betrayals. This moral-amoral byplay, present already in the novels of Richardson, was to be more intense as the century unfolded."
-
Madelyn Gutwirth : Madame De Staèl, Novelist. The emergence of the Artist as Woman (10,15.)

;
"...As the social contract seems tame in comparison with war, so fucking and sucking come to seem merely nice, and therefore unexciting. ... To be 'nice', as to be civilized, means being alienated from this savage experience - which is entirely staged. [...] The rituals of domination and enslavement being more and more practiced, the art that is more and more devoted to rendering their themes, are perhaps only a logical extension of an affluent society's tendency to turn every part of people's lives into a taste, a choice; to invite them to regard their very lives as a (life) style." - Susan Sontag , on 'Fascinating Fascism' (-74; p 103;104-5 at Under the sign of Saturn)
; "Anyone who cannot give an account to oneself of the past three thousand years remains in darkness, without experience, living from day to day." (Goethe) - as cited by Sontag (on same compile; p. 137.)

;
"It is widely accepted that we are now living in the 'Anthropocene', a new geological epoch in which the Earth's ecosystems and climate are being fundamentally altered by the activities of humans. I loathe the term, but I can't deny that it's appropriate."
; (Goulson), Silent Earth : Averting the Insect Apocalypse (2021; p 47.)
;
"It is sometimes said that humanity is at war with nature, but the word 'war' implies a two-way conflict. Our chemical onslaught on nature is more akin to genocide. It is small wonder that our wildlife is in decline."
; (Goulson, 2021 ; 118.)
;
----------------
"If we believe absurdities, we shall commit atrocities." (Voltaire)
- Citated from; (Joy, Melanie), Why We Love Dogs, Eat Pigs and Wear Cows : An Introduction to Carnism(2010; p. 95.)
;

"In the presence of the monster, you have eyes and ears for nothing else."
; (Flora Tristan) : London Journal of Flora Tristan: the Aristocracy and the Working Class of England ; 1842-edit. (tr: 1982. ; p. 71.)

;
"Every minority invokes justice, and justice is liberty.
A party can be judged of only by the doctrine which
it professes when it is the strongest."
Mdme de Staêl
(on) 'Consideration sur le Révolution de la Francaise' [1818]


Showing posts with label comics. Show all posts
Showing posts with label comics. Show all posts

3/20/18

'...Indeed, it was a Strange Beast.', pt I. Or; She's lean and She's tall...






Every time when the night is close at hand,
...
You'll find the lady on the Rue d'Avignon
In a half lit hotel doorway
the lady advertises warmly
...
It's just a job but she'll do the best she can
...
She's no beginner this lady of the night
Never try that funny stuff
'cause lady can be tough
Be warned:
(She is the Lady of the Night)”
- Lady of the Night
( A song), by Donna Summer


(...I most part recall of heard the Donna's Summer-hits in memoir from a few rather boring tuners, suspectably on tunes equipped to that wide-scale popularised Aitken'an'Waterman disco-beat, by the late 1980s. ...But actually, her old songs seem of contain plenty pretty catchy tunes – Means, those appear lot better songs for the hummin'. Goods rhytms, good vibes. ...Even amongst those from late 1980s, 1990s. ; Yet, gave me also some grounds for the said gloomy impressions that nothing so good, it doesn't evermore seemed of sometime gotten for suffocated w. that 'bad influence' of that bad capital, etc... But; 'beep beep, 'toot toot', get in tune...)

; 'Comics-Chapter'
; The Gardening Chapter II / 2018 

(Above) – From Hugo Pratt's story “L'uomo dei Caraibi”. ...Just for some decorations on this. In fact, I've not quite the knowledge if that from that 1980s, or if was made instead during the years before (that decade). They seem of lately here re-issued several of the earlier short-tales by Pratt's (And many those of a 1970s stuff, seems it...)


...So, this aims offer, without anything much else, a few examples good 'cheap' comics from 1980s. In fact all these of a same mag, some that seems relied on the quite relative popular detectives and crime-stories much in favor at the time. Perhaps these yet didn't even receive any very wide circulation/large sales, by then. ; Also, I not a particular idea if these even were sold from beyond the Europe. Supposin' so, 'cause there must've been as yet quite large 'semi-independent' worldwide market(s). But most of these seem wrote by the Italian artists. The country had a creative and flourishing industry of an artistic comics, and of these 'merely entertaintive'. (Such as it probably still has today.) ...Also notable, sidemention, that the decline and 'fusion' for a more conventional mass-production targeted to the underaged buyers, something which of particular notable on the american series of comics on that turn of a 1980s/90s. But it wasn't perhaps quite so apparent elsewhere still at 1980s time – Though there might be contradicting examples, possibly plenty enough. (; Merely mentioned, as I also wondered from whether the 'comics-criterias' (supervision) on that american part would've already appeared adequate to 'sensorize' these kinds too...)

It been my some intention of to little more particular memorize those 1980s B/W-comics on these post. At least from reasons, ao, that I actually not so much ever read that Dori Seda, during the time. (...The selection from comics of the period here earlier presented. An indisputable choice, of course, 'cause the very good ones those being.)
But in short there were, of course, quite elsemuch else too, from retrospekt thinkin'... ; And...here just a 'few goodies' amongst, from heretoforth:
-----------------------------
 
(From di Terzino, Reggiani) ; - First amongst – Not, for any very unique some, I think – But, there's still just enough to make it worth some look on this. Or for entertaintive reads. ; Also, I quite think that the essentials of plot might've had a repeated uses later. (It also seems lot resemblance the typical tv-serials 'detectorials', yet quite compact 'skethed' a story). And the main heroine a female detective, even if it wouldn't anymore been so unusual to this era's crime stuffs.
----------------------------- 

 

(From Ledar, di Ragnini) ; 'Savage' (I notice this detective not seems bear any surname – No matter, name's about as good an identifier as fx, comparably, 'Shaft', or fx 'The Rock', or still alternatively 'Rocky' would. While, for the most it probably not so recognizable to any or 'character'. What's important, however, appears brief and simple. ; ...The drawings are perhaps from bit more conventional – Or, let us just say that brought, somehow, for my mind old Rip Kirby, or even Spirit (Eisner's). But not near the same level, not quite that inventive or as good - And while the story has the usual/typically the 1970/-80s of 'setting'/threats, plot has yet quite enough to interest, shortwhile.



-----------------------------


(From Milani, Aparici) ; Perhaps for most interesting among these, so far. Yet, guess we can devote not much space to it's qualities, on this. The mysterious-type hero ('Chi'), w. unusual psychic powers (and background-history to WW I). ...So seems it of had some resemblance to that Dr. Strange, foremost. Perhaps a few others from contemporary characters also come for mind. Unfortunately – I suppose – this never wasn't developed anything much beyond the few strips and/or a shortlived mag by it's own (Though; Don't know, didn't check about...)
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(From Di Piccatto, Brusasca) ; Of thematically, and of socially, this one's most uncompromising , realistic and 'surreal' at the same time. - Also has from the most unparalled 'strive' compared to (majority) contemporary comics of that 1980s. (This being the last one on that compile/mag.) Soforth, it from a more specifically inbriefed at this. ...Also I think that better than many of the now more high-praised albums and stories considering. Including also fx that Pratt's non-episodic colonial 'Pacific Sea-adventure', from which we had the pic/brief mentions above. (While that's not any bad either.)

...To begin with, the setting of the story is most characteristical American, about the most well-renown optimised 'new begins' from depicted. In a form of an iconic 'road movie-story'. ; You almost can't help from think when lookin' the first screens, that there remarkable resemblance to the 1970s movie classics of same sort; the Easy Rider...ao. Or smght like, this said 're-setting', of nostalgies, are from largely because of that bike – Seems it to 'prevail' those few first pictures. Then is of course several other 'clues to'; the girl, the cheap service station dinners, the sound of the crickets, the 'freedom'-tunes, etc. (; ....Actually, the 'Petrified Jungle' another film – but that from as early as 1939 – the early begin happened from bring on my mind. Of the reasons whatsoever. That has 'Humpy' and Bette Davis, btw.) – Anycase, the story's start here of more romantical compared for either of flicks mentioned.

And the 'setting' then naturally also awakes/uses all that old 'mythology' of the West. The 'hero' in the story (Chris Lean) seems of given all the proper 'cliches', reflecting the usual quite 1950s 'stock image' from, not the least because of his unerring resemblances for a 'cowboy'-type. Not just due of that hat, but of the looks. (James Dean or Henry Fonda. Blue eyes, fast draw, short temper, tough fists. 'Lean' morality. - Only the bad habits – such as whisky – seems be missing.)

; ...Soon from that they then separate, and the build-up for action starts to develop: Giny gets a place on road motel, where an impassive depraved employer tries for rape and brutalize her...






 



; ...Chris handling the situation; 'cowboyish-manner';












; But it doesn't end for that. Gets even better: 
 
...So far it has appeared like some regular violence/crimes-story, 'spiced' w. the said sortnostalgics, cruel but realistic. Road-romantics anyhow you look at that, and relative good example from the comics of the sort. While not brilliant, apparently well over a level from the more standard usual “trash”.
Ie, to some recognizable characteristic of (that) 'trash' being fx b/w, cheap. Much is in manner no differin' for usual 'realistic' mainstream magazine comics, standard 'narrated-pictorials' of the 1980s. (Commonly published, while not quite as popular as 'fantastic' heroic series, perhaps.)
 
...(Follows then) on incidents, little after, Chris arriving for a view to a slum/'shanty-town'. Some brief reminders from the sights that still less commonly 'broke the level' from publicity on the TV'd minds, made the news on 1980s. ...Or what we then nowadays maybe mostly discover from recolled, on our further 'vidioticed' minds, of via the materials w. their (distant) resemblance to something 'in tunes' for that popular song, by name 'Gangsta's paradise' (, fx.) (It was a hit on that 1990s I understand, and after...While I think from never had heard that before from - about – until the recent decades timing.) ; Anyway, there's also other 1980s/present day 'distant reminders' here, from which the most noticeable seem those coal-towers burnin' smoke for the skies, on backgrounds drawn. And then, there's t he overground train passin' by this 'peripheria', perhaps that for quite as regular standard on these decorations, for it's 'effect', at many comics and also movies, series. The forgotten blocks, forgotten people, the main message it seems transmit.

; ...The 'little crooks' then appear and a plot takes a 'sneak peek' for the still more brutal level the situations now enthreaten to develop. ...Chris observes incidents of the closet, before takin' his 'cowboy-turn' again. It also passes w. a short refers for the self-assuring twisted moralitet/unmorality of the pimps and those small-level criminals – Ie, along with that also provides a few clues about the semi-legalized level of a forced prostitution on existant. (However, concerning the narrative itself it's actually quite important to notice that these few crooks who are responsible having carried the actual killing, aren't presented from punished on it but w. a few bruises received - and Chris announcing them resultant tied up to wait until officials arrive from fill their duties.)

; But it doesn't end for that. It gets even better:
...In the ending chapter (,of the 'realistic' part the story) even a revenge is then pointed to a person for whom it most rightfully would belong. (...If you'd consider there such things as any 'justified vengeance', this however a cheap fiction and not some moralitet, of course.) ; I-o-w: the emphasizes given (or, the words used in the speak-bubbles and beside text-box) turn out from be quite revealing, and not the less from how very very stark realistically those presented/invented. (Actually, the police is presented from express more distorted, more racistic views all along this story. I from bit 'fixed' these selections to be able offer the main story-line from it; But not changed the words from any manner meaningful. In short, in the pages read it actually turns out from more convincin 'mirror' of it's times.)

Speaks on behalf the story's uncompromising, unmercifull logic also that Chris (the 'hero') not gets any 'final word' on it. - He's 'knocked out' priorly, like some Marlowe on the past detective flicks, but his luck doesn't last even that far, 'cause it being only from Mrs Brong's intervention, he gets away from being not prosecuted (unfairly) acc. the logic of this racistic and discrimate judicial system. (That's what a police serves from represent at story). Like some unforgiving 'angel of death', Mrs Brongs – miraculously, it not even is explained at the narrative – then arrives 'just in time' and 'clears out' the situation for his behalf.

; The final pages then return for a nostalgics and romantics part,
what the most cleverly invented...

--------------------- 
 
These for some notable representative(s) amongst more praise-worth 1980s 'trash', on comics. Majority 'amongst' wouldn't, of course, been any this good. (In fact, these actually not any Trash, but just comics as them usually are/were seen/read by the time. Only later maybe have been 'lifted up' amongst some that might now bear that said little questionable term. ...The particular selection from presented particular of the reason from belongs to a few instances of the level successfull realism achieved to these kinds typical crime-comics. 

(Above pic, Modesty...from some 'sequel', of the 1980s. Don't recall what the story, exactly. ; Changed, a bit, the 'thought-bubble' lines.)

...Actually (fx) by around bit later, from early 1990s, the stories situated on slums (, then present or by some futuristic setting), the 'justice dealers' (for heroes), the gangs, and some of the more 'simplified' schematized plots, seem had enjoyed the short-time major popularity on (american) mags. Almost from like that'd timing for simultaneous to the overall decline of the art-form, the level of quality on the 'mass-market' become nourished and commercialised thorough. Almost from manner that been of a purposeful idea about that (anything like) should only reach the 'kids' of an 'entertaintive' materials. ...And then also from quite as a badly wrote/drawn versions. Equally lacking on any real perspectives or actual realism about, social problems addtessed from concerning. (...The 'man-slaughtering house-mommas' and racist speaking 'guardians of the justice' thenafter from rarely – or not at all – appear; Instead, seems that for a more usual (theme) became the variations from an armed and dangerous bunch of youngsters, consisted of various races and sexes, in the varying combinations arouse for the 'main theme' of depictions. - Sometimes/perhaps more often also portrayed on their fight against the oppressive 'system', of course.) But the main p-o-w only that most of it, seems it, just was made from intentional bad, to the predictable markets from created.

Could say to this, of course, something about this kind kids education and the expectable influences on any political opinioning of this kind adapted, built attitudes. (And probably the actual development was not from quite that straightforward. Yet a few examples also offer further some further description, of shortly in the following...) - And guess I necessary not need from...Most who read the comics have a pretty clear idea from/on.
; Of course (mostly) it seems usual often dened from that a regular violent materials anyhow affecting youngsters way of thinkin' – It's the 'moral guardians' own illusion, only; The 'Big Brother' beyond curtains there watching (- And the kids can think by themselves, I agree to.) But the aspect doesn't actually concern me on this – Merely I'm only interested, cons this aspect, of whether from had read the better comics, socially responsible some, they'd not been for so eager to vote for wars, not to lend their help for the 'powers that be'. (Ie acted more for some bad citizens than as an obedient customers.) I suppose it's in fact lots that the later generation (1990s) must've lost, an' what the 1980s still had, of cons these 'entertaintives'.

(Probably the process might've begun even much earlier timing. But noted for this, esp., due from  that notably that 1990s stuff shows the much from plainly categorized institutionalized 'leanings', anti-liberal, and, stagnatized. ; In short, while the Orwellian 'concerns' are more often more actuelt from notice, doesn't mean you wouldn't find the Huxleyan 'logics' just as often effective, on uses for mind control. If you believe in mind control...to happen, often.)

(; The beside pic is from 'Piko et Fantasio' - not from 1980s, but seems made a 're-entrance' around the early 2000. (A bit controversial from story, set on 1940s war time Paris, or Belgium, or smtgh, but there's nice sarcastic details - Such as this. Of course I may have rearranged the exact words of it to this...'Supposin.)

; But from the more general, fx, it indeed notable how few any better creations seem arised on this american 'mainstream' by 1990s. The DC Comics and Marvel comics stories by the period, and from after, are mostly equal bad on any quality. While mostly consist of 'the fantastical' stories, super-heroics that inhabit an 'unreal' for their actual 'living space', still the most usual stories offer not much beyond the very conventionalisms. ; Obviously then, we'd have to mention the few more often praised exceptions; Such as were re-creation from that Batman – Giving a 'boost' to follow-ups from a number other 're-created' heroes comics, each one to the worse. Gaiman's Nightmare and Alan Moore also gained renown for more rewarding. - Yet, 'suppose, it also tells something that both those seem more or less for maintained as their main publication form the 'comics-book'. (Meaning that narratives also more often are lenghtier, from combining themes. – Not exactly on any singular cheap magazine-lenght type from. While readable/available so, as well.)

; ...Amongst the most dispureputable some – Guess I'll have to mention of that too – seems been also fx that (from apparent) short-lived 're-creation' mag on 1990s from the Vampirella. Possibly even worse compared to any others of sort, even more conventionalised than most else of (DC's?) 'violent, occult and action'-type comics. ; In fact it almost gave me the impressions from that this one of particular was made w. the hope to make sure that that 'naughty bitch' wouldn't make any re-surrection for bother us in any form, wouldn't discomfort these (still, relative) reliably, slow but steadily selling businesses.


...But maybe I'm being only (slight) unjustified on my (that) view, also from cons that I've enjoyed and well-read those original mags. (Besides I wouldn't even miss any sort 'modernized' versions from, even if those 'miraculously' succeeded to achieve some inventiviness of the classic mag at 1970s. Any imitations from unavoidably would fall far below. (...It's quite so apparent too that those steady-made less good imitations about any past saleable movies, the ready-made 'plotters', from being refilmed seem populatin what available. That industry those (bad) 'remakes' seem from almost as valued 'cashiers' these days, as the jolly-folly cartooned Tele-tubbies for the 'napkin-aged' and quite so resemblant in their principal content as the popcorn, sweets, plus other 'movie snacks'.)

...My disavowal(s), of course, besides, also from recognition that for the mag's better stories often were those that had their (variety of) inspirations on other topics. Not necessary very often those that had the Vampirella's adventures. ; For example, that -71 Searle/Hewetson is simply just brilliant a story (by name from 'Blast Off! To a Nightmare'). But (it is) also in complete unity with it's times atmosphere; Is also memorable psych-generation nightmaresque, 'trippery' futuristic horrificative scifi. Likewise, as good at least or some 'novelties' too, were fx those brief stories drawn by Billy Graham and by Wally Wood. (Even that Graham not so often maybe had the good script-writer to his tales, Wood then also maybe favoring the story-plottings to bit too 'entertaintive' for my liking. The Swords'n'majic, typical from.) ...But both had well drawn pieces feat more of any good ideas that about a half dozen seasonals from the Marvel-monsters seem from had created, on during that sad 1990s.

That much said, we can now – Turn the page. (; G.U.J.)
----------------------

From the plant's part – the previous post promised us from make a regular 'report' to our sowings and growths of this season. By this time not anything much yet from emerged/happened – So I give place to few pics of the last years growths and 'jolly-joyhoods'...incl. some disappointments.

(Some drawbacks first, pic beside) ; My Acasian and Eucalyptus (.Citriodora) house-hold 'trees' didn't make it past the Winter's dark period, or battery-heated seasons. ...Acasia quite not surprised me, the last Summer having been what it was. Although I might've made some mistakes on the watering, and whether that then was of 'little pests' gotten to disturb it's leafs since those started of pale and fall from about midst Dec., I think. (Don't know what the specific cause was. Last Winters it had passed quite well in the normal room temperature. Guess it might've gotten too big on the little pot, as that actually a tree.) ; Actually lost also my Jacaranda-plant, it too started droppin' the lower branches and got 'pestified'. However, the plant also seems from grow on such rapidly that is quite impossible to be kept indoors successfull from very long. ...But I was well prepared on that case, and so had sowed another one by the last year's Spring, and, I have it now just waiting for being removed for warmer temperatures now, sunshines from returning.


(...And 'successes', pics beside) ; ...And I also planted last season a few seeds Abutillon – Here's then a new house-hold plant from some, that I recent changed for larger pot and soils. Actually didn't have any successes but these couple seeds, but w. some experience from the species I can say it's now well beyond some 'critical limit'. While gotten past the first Winter days' reduced amount light, the Abutillon usually grows from so 'gregarious' that a few setbacks don't much turn for any uncern. (Unless you forgot to leave the soils from dry a period from lenghtier than about week – or two, which then effectively also disturbs and halts the flowering.) 

But, unlike most indoor plant(s) – the tropical or 'semi-tropic' – it so eager from grow even on a cooler regular temperatures that appears even recommended to add once a Month some fertilizer, during that period it kept for lowered temperatures, 'winter rest'.  It has the nice flowers too, like I've said...while a bit frivolous, 'smutty' (if you wish.)

; (And, Rosemary, below) ...Didn't dare from place this on preceded post, but I also seem now of succeeded overwinter my 'herbal wonder' from last years sowings. Noted earlier of that for quite difficult – But, possibly, from these self-grown, still young plants, that not turns from near so problematic as one would assume. (In case the seasonal conditions, during winter Months happen favor. I actually lost the acquired bigger plant some y. past – Partly of these Winter Month irregularities, outdoors the temperature rising above the 'safety levels' during Jan, about. Having not a special 'thermostatic' cold room, that had the unhopefull effect on some my indoor plant.) 
 
...Yet, it's still a bit early, so better I not say anything – Mostly, the overwintering here from Rosemary seems have to do – a lot – with the most minimum from watering kept for it during darkest Months. Likewise any rise from warmed up to – about – over 10C, probably turns soon for problema. Cons this overwintering. ; Alongside, I've then planted few more seedslings this season (Don't recall if I already mentioned from...Don't suppose I'd make others for any 'kept' plant, besides the lack from any number proper pots for their keepin' also would turn some difficulty. It seems also considerably benefit of that during Summers.)


...And then, to be noted that I also sowed a fewsome Bergamots, (Monarda punctata) – To be planted on gardens the Summer arriving. Their germination was of surprising rapid, and needed only few days in the warm-up. Now I then just wait the seedlings from little to grow from separating those on their own 8x8 pots for further growing. ; Along w. the former mentioned Echinaceae (.Paradoxa), of which I also sowed a few more pots, should make the 'backbone' for our Summery season garden flowerings. Or let us at least hope so. So we'll probably return to those in these sequels – Once they've actually started of to grow. Perennials for garden by my one own growing – What the more happy hobby there could ever be...
(; G.U.J.)
 ; Signed by Doktor Docto-Power 

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...Some 'forebodings' more..;
 
 

[ Indiana...Or, Valentine...? ] 

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12/2/16

MSW Book Recommendation #51 ; '...You don't even hear the groans of the wounded and dying.'


Or; '...hallowed by thy name...' 


 
  1. (- note)

; “... Democracy is theorised by contemporary political scientists as a complicated interlinked process – one involving elections, institutions, law, the protection of minorities, 'a government which grants freedom of press and of speech to all', and so on – the kind of system that does obtain, though it functions imperfectly, in the industrialized West. ...the complexity of any democratic system worth the name makes it hard to take a quick look at a society and say 'Yes, we have a democracy here' : there is no easy test. Second, in a modern culture where news is disseminated visually, it is impossible to film the whole tedious process of democracy in a thirty-second report, and thereby prove in images that democracy is happening. As a consequence, television news adapts a kind of shorthand: the shot of people standing in line to vote has become the standard means of showing 'democracy'. The danger of such visual telescoping is that it will come to imply that voting is all there is to the concept, that democracy is nothing but elections.
Such a deliberate confusion of the part of the whole may have its propagandistic uses. ...“ 
 ; 
 “... It is perhaps more correct to say that capitalism doesn't care where the profits come from, and to remember that, in certain countries, the military industry accounts for no insignificant proportion of capitalism. In 1970, the US Department of Defense owned '10 per cent of the assets of the entire American economy'. In the second financial quarter of 2003, military spending accounted for 60 per cent of the growth rate of US gross domestic product. ...military spending can fuel short-hand growth, a phenomenon that economists have christened 'military Keynesianism': evidently, this worked for the Iraq invasion. …
...Capitalism is not inherently evil; nor is it inherently good. It is agnostic on matters of good and evil. It is not immoral, it as amoral. (Which is why, despite the rhetoric of 'free trade', western capitalist democracies protect themselves with vast edificies of law and regulation.) And once you are agnostic about the rights or wrongs of war, you may be intensely relaxed about the fact that war can be very good for business.”
; from Unspeak. Words are Weapons.. (p. 198-9 ; 216-7)
(by Steven Poole
Abacus, 2006

;
The Poem therefore (with the exception of the first canto, which is purely introductory) is narrative, not didactic. It is a succession of pictures illustrating the growth and progress of individual mind aspiring after excellence, and devoted to the love of mankind; … its impatience at 'all the oppressions which are done under the sun;' its tendency to awaken the public hope, and to englighten and improve mankind; the rapid effects of the application of that tendency; the awakening of an immense nation from their slavery and degradation to a true sense of moral dignity and freedom; the bloodless dethronement of their oppressors, and the unveiling of the religious frauds by which they had been deluded into submission; ...the universal toleration and benevolence of true philanthropy; the treachery and barbarity of the hired soldiers; ...the consequences of legitimate despotism, - civil war, famine, plague, superstition, and an utter extinction of the domestic affections; the judicial murder of the advocates of Liberty; the temporary triumph of oppression, that secure earnest of its final and inevitable fall; 

[…]But mankind appear to me to be emerging from their trance. I am aware, methinks of a slow, gradual, slient change. In that belief I have composed the following Poem.

I do not presume to enter into competition with our greatest contemporary Poets. Yet I am unwilling to tread in the footsteps of any who have preceded me. I have sought to avoid the imitation of any style of language or versification peculiar to the original minds of which it is the character; designing that, even if what I have produced be worthless, it should be properly my own. …

The Poem now presented to the Public occupied little more than six months in the composition. That period has been devoted to the task with unremitting ardour and enthusiasm. … And, although the mere composition occupied no more than six months, the thoughts thus arranged were slowly gathered in as many years.” 
; by Shelley, Percy Bysshe - of 'Author's Preface' to 'Revolt of Islam' (Or) 'The Daemon of the World' (poems) ; via The Complete Poetical Works of Percy Bysshe Shelley, Vol 1. (Collection f.p. 1839., preface by y. 1824)

“... The ancients believed that souls that had not received the honors of burial on earth wandered on the banks of death river for a long time; it seems to me that an almost identical fate is reserved for me. I shall be on the border between this life and the next, and reverie will help me gently while away long years filled with my memories alone.”
; from Delphine, a novel (; p. 399)
(by Madame de Stael ; p. 1802) 
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Recoms:  
 

DORI STORIES. The Complete Dori Seda.
(by Dori Seda, plus compilators...'comix biography'.)
197 p. ; Lasp Gasp (1999)
;

BLAZING COMBAT
(Orig. as US comics-magazine, published btw 1965-6.)
Stories: Archie Goodwin, w. various drawing artists.
p. 207 p.; Phantagraphics books, (reissue,) 2010.
 
AYA. Love in Yop City
(by Marguerite Abouet, Clément Oubrerie)
328 p. ; (Gallimard Jeunesse, 2013)

; [ Recommendations V / 2016.]

; ...Series of view-points to Commonwealth, pt VIII. 
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...These recoms' offering,
Now exhibit the bits and strip
from the World of Comics,
All by all the apprehension,
and complimentions.


So, (dat here) a Jolly Good Polly,
By the tune not much of any Golly,
(neither often not, or rarely Molly),
Not plays for any Dolly,
(horns and hounds just some glamours,
she makes no favours)

Yet all the element so well in tune,
an' those stories accompanied
more can tell than this rune.


  ;



...On this (adjacent)
we need not from make so many verse,
ouf of the pic (they) seem bent,
not known by Whom, or What them sent,
on the foot is noted all else.

...dat for sure, anyone can ya tell,
War is hell.   2. (note)



  ;
 
...and, from the last in our line,
not so comprihensive, or so much have we read.


Yet, (that Aya) of lately seems made it very Populix,
...and got swingin' even the old Senilix,
Her words might've surprised
(some, maybe who like mead, or just maybe'd)
but dat rhytm,
oh, I even wished it fo' mine.

(And there even some advice for cooks,
; recipe from stock cubes, broil, soups.) ”
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  Note(s):

1. ; ...A few lines on the (mainly) silent-era film actresses, whose pics at this recoms begin. ; From the left, onwards;  Karen Morley, who played the pair for Paul Muni, at the time, on a hugely successfull gangster-film Scarface (...the original, Howard Hawks' filmatisation from 1932. The original ending also features fx the scene of the prison execution, by that time, a topic which was prohibited from depict in the realistic manner.). On Morley (is noted), she was 'picked' afterwards for few more films, but she then soon 'semi-retired' for family-life, 'after arguments about her roles and private life', only appearing on films occasionally later on. However, also, “In 1947, her career came to a halt when she testified before the House Committee on Un-American activities and refused to answer questions about possible enrollment in the Communist party. Afterward she continued promoting left-wing causes...” ; Then, Myrna Loy (1905-93) one among the few female stars that managed from '...make a succesfull transition into the sound era'. Early years she played often the exotic 'femme fatale', 'Theda Bara-types', and (also) anecdotes of the 1920s mention her been discovered 'one night' for the motion picture industry from local stage play (by Mrs Rudolph Valentino). ; Ann May Wong (d. 1961), was the '...first Chinese-American movie star' (who) “...managed to have a substantial acting career during a deeply racist time when the taboo against miscegenation meant that Caucasion actresses were cast as 'Oriental' women in lead parts opposite Caucasian leading men.” - So fx for the role of an opposite for male peasant 'hero' on The Good Earth (...that role played by Paul Muni, also. The film situates on chinese country-side, about that time.) she was rejected and likewise said that '...discrimination she faced in the domestic industry caused to go to Europe for work in English and German films'. (...Quite interestingly or even surprisingly, seems it said that she was able achieve in the Europe popularity not just among films industry, but was most favored actresses from the audiences too. (Where she hanged around Riefenstahl, Sternberg, ao of the eras filmatisations. Later featuring on some Paramount films her career continued, about, until ca late 1940s.) ; Then – Ann Dvorak, who also acted on that Scarface, above mentioned (Actually, she was the main tragic 'heroine' character at film.) Dvorak, some years/roles after, seem said from '...left for Britain unhappy w. films and commerce.' (In spite of that), she was featured to several films from later day, although not on any particularly novelty some. ; Nina Mae Mckinney (d. 1967), of whom it fx said that she was “...acknowledged as a great actress, singer and dancer by audiences in the US and Europe (while) ...today she is mostly forgotten. (Also by the era) ...Hollywood was scared to take a chance on an attractive black woman, to make her into a glamorous sex symbol... (and also, Hollywood,) ...could accept black character actresses...having a close relationship with white characters in a film, but would not allow a beautiful black actress the same...”
 However, 'she had much more success on stage' , and in the 1940s was featured on number from 'cheap flicks' filled from exotism. ; Finally, last from the right; Louise Brooks, perhaps best renown of the mentioned. After successful roles at several films, but disappointed for the industry, she left for the Europe having achived contract to play at few classic Pabst-films. (Which was still prior the 'talkies'-era, about 1929.) Later (after additional role on 'Prix de Beauté', 1930 a moderate successfull fashion-film.), she returned only to discover of been '...put on an unofficial black list on Hollywood.' Her filmography then represents a few (minor) films from 1931, and a few more films by -36, and -37 (, some western and alike). Later from around the war-are she then passed via 'a few professions' and less coherent period in life (characterized by various psychic conditions, various pills and the resulted drug-addiction on those), yet later did returning for her favored practices by writing and painting. The former hobby then provided also several articles, which were later on collected, at about 1970s, for her famous 'autobiography'. (Various characters by the era featured on her memoirs, etc, ao..) 
; ...Cites/brief quatations on this are via the ImDb-entries - and of a few other variable sources.



2. ; ...The history from publication of that mag (Blazin' Combat) seems a reason for it's inclusion on this recom, by itself. That so, since these anti-war and realistic stories originally appeared on a short-lived comics, intended sold on various shops and via retailers, already prior any general resistance against the Vietnam/foreign wars hadn't yet emerged in US. All the stories in the mag were wrote by Goodwin, drawn by various artist, And generally the quality of stories also is artistically rather high (if compared for the more typical stuff of the war-comics by the time, or even later from.) 
; Anyway, from the interviews of Goodwin and publisher at this compilation one can read about that US army confiscated practically all copies from magazine, early on or soon from it's begins. (Or, of some retailers them were perhaps bought and 'shelved' away from the readers.) As the result, the sales from it never really took off, and after only four issues it had to cease from published. All that in the society that claimed of to be democratic, which maybe worth a notice too. ; ...Generally all the stories perhaps not so skillfull , or succeedingly created, but the emphasize on vast waste and meaningless of war is apparent all the way. (One might only wonder how the underaged and other readers for these stories would've benefited of the views it meant for transmit originally. Anyway, seems it from said of having had quite good reception by the public, on what there was possible from them to acquire during that 1960s.)
 ; Pic aside (that) is from the cover for magazine's first issue It perhaps most definitely captures that madness of the war. A viewer can't avoid the impression from watching something very brutal and what can't end but badly. Them - the guys depicted - sure know they're going to the hell, and (posssibly) nothing could prevent that. They seem also of to believing that by themselves, from to be destined from going to that hell. (No alternative considerable, or even possible for them. They're already beyond life, seems of be that ultmate message on this unusual depiction.) And thats, of course, the very nature of all wars.
  ; The stories don't either leave aside sufferings of the civils on war fronts, albeit the main plots of the stories represent the battles, etc. scenes. (It also has fx several short-stories about the air pilots and air fights, etc. On that can fx be noticed how popular on the imagination of peoples the jet engine aircrafts still were by the decade - Some of those stories situated for Korea, possibly on some earlier wars too.) ; But, shortly, the mags history and (most stories) very quality make it almost unavoidable from to leave aside from this comics-compile. 
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; Pics: Hela ['norse goddess'] - From the story 'Whirlpool of Death' at Forbidden Worlds (US comics-mag., by the 1950s) ; Lulubelle ['french bar-maid', speak-bubble little modified] - from via Blueberry. (by Charlier - Giraud).

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