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Mule Skinner is a blog on notes of a world that didn´t happen, doesn´t happen or/either is still yet not to have not happened. We like to encourage the freedom of speech in a world that is yet to tear down its imperial chains. Situated in the remote corner of Cyberspace. Most likely we will comment on Cyberdreams (not much diaries here). The knownledge is never free, information is. In the real world truth is never so simple. In the Mule Skinner World it is.
(from Child's Garden of Verses
"All the names I know from nurse:
Gardener's garters, Shepherd's purse,
Bachelor's buttons, Lady's smock,
And the Lady Hollyhock.
Fairy places, Fairy things,
Fairy woods where the wild bee wings,
Tiny trees for tiny dames.
- These must all be Fairy names !"
"Science without conscience is the Soul's perdition."- Acc to/above is citated from: Medical Apartheid. The dark history of Medical Experimentation on Black Americans from Colonial Times to the Present, by Harriet A. Washington (Doubleday ; 2006 ; p. 1.)
- Francois Rabelais, Pantagruel
"If we believe absurdities, we shall commit atrocities." (Voltaire)- Citated from; (Joy, Melanie), Why We Love Dogs, Eat Pigs and Wear Cows : An Introduction to Carnism(2010; p. 95.)
He owed his authority both to his African father and to this European master ... [...] conciliator and translator, liberator and enforcer, father, brother, and son. Could anyone but the mulatto, in all his subjective disposition to metaphoricity, wear so many disguises? (206-07 [,of a 2003-book.])The 'mulatto' as a pervasive icon of 'social camouflage' and 'agent provocateur of social instability' (Buscaglia-Salgado, 183, 184), ...suggest across great divide of time, ...examples of the anxiousness of revolutionary discourse about Haiti. ...
Read the history particularly of Hayti, and see how they were butchered by the whites, and do you take warning. The person whom God shall give you, give him your support and let him go his length, and behold in him the salvation of your God. God will indeed, deliver you through him from deplorable and wretched condition under the Christians of America. I charge you this day before my God to lay no obstacle in his way, but let him go. (23)Furthermore, and with far more dire implications for women, Walker blamed female slaves and, by extension, all women of color for the lack of revolutionary prowess to be found among the slaves in the United States. Walker told the tale of 'servile' 'black' slave woman who gave in to her 'natural fine feelings' when she helped a white slave-driver escape certain death at the hands of escaped slaves (28, italics in original). Walker concludes:
But I declare the actions of this black woman are really insupportable. For my own part, I cannot think it was any thing but servile deceit, combined with the most gross ignorance: for we must remember that humanity, kindness and the fear of the Lord, does not consist in protecting devils. (29)Peterson says of Walker's rendition of this story that 'in Walkers text it is the black woman who serves as the emblem of black disunity' (1995, 65). ... For the militant Walker, however, woman's position as a member of the 'gentler sex, naturally more moral, more loving, more caring than men' was not the virtue or ideal that it would appear to be throughout the majority of the early black press (Horton, 55); instead, these gendered distinctions were nothing more than a weakness that made 'black' females obstacles to freedom rather than allies. The characterization of this 'servile' 'black woman' whose innate weepy sentimentality is portrayed..., was part of a broad myth concerning women's (in)ability to participate in the necessarily depersonalized violence of the Revolution. Maria Stewart not only understood this, but dared to refute it." ; (Daut; p. 323-4.) -...Quite so, apparently - It feels not very difficult to think Walker of had shared the particularly eighteenth/nineteenth-centurist masculine 'value-system', and that for reflected on his (black) females blaming example given in text, such as described in above quote.


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In skullduggery for gone Hollywood nostalgy, Cowboyish Smile and the Mothership Connection (by WhackoGecko 14.07.2008)
As the newest (we suppose) Indy movie enters soon DVD/Blu-Ray stage its about time for us to make some remarks. Not necessary fans of the serie, being grown merely in the borders of a Lucas-Spielberg cultural fantasy empire, but still kind of liked Indys adventures in the early three movies. As has been elsewhere noticed Indiana Jones films were originally loosely based on some 1930´s B-flicks, at least for the structure and jokes, as Indy´s main outlook was most
inspired by 1954-movie Secret of Incas, Charlton Heston acting as hero adventurer. Several primary real-life inspiration sources for the character has been mentioned, most renown the 18/19th century archeologists Giovanni Battista Belzoni and Hiram Bingham1. One can easily notice, that Indys character was already in the birth fulfilled with almost limitless amount of archeological nostalgia.
The reader might be little disturbed of the fact that here, in the MuleSkinner World, we have not seen but the some 60-70 minutes from the beginning of Indiana Jones and the Kingdom of Crystal Skulls. However, aware of the existence of an early manuscript2 for the movie, originally supposed to be next sequel in Indiana Jones saga, we take the flick mentioned in closer look for a brief passing moment in archeological time-scales. Don´t read any further if you feel it might spoil the fun from watching...
In similar manner as Indy´s archeological roots are at least contradictory (in plea for the adventurers qualities) his heroistic characteistics (romantism, fist-fights, tongue-in-the-cheek) are based on completely false mythical image; that of falsified image of the cowboy, ever so popular in old time westerns since the early days Hollywood until about 1960´s. Also similarly, like cowboys, Indy´s relation to women is also often completely lacking any sexual tone, so popular in nowadays TV-series or the cash-in blockbusters loaded with sexual tension – naturally Indy-films are also kids movies. In spite of that; Indy hardly ever even kisses the girl, if not in the end of the movie.
A timing of the last adventure is somewhat obvious one: 1950´s. That´s not just for the fact that the earlier parts were placed on years close to Second World War and hero should move to an aged state, but also for that Indys kind of romantic-mythical hero would not fit for the post war climate. It is also a notable coincident, that many of his adventures in earlier movies took place at the same part of the Africa continent (North-Africa/Middle-East) as Bogart-Bacall/Bergman war-time classic films Casablanca (1942)and To have and Have Not (1944). Indy´s treasure hunts (in 2 of three first movies)are in search of the grounding artefacts in Christian-Jewish mythologies (Grael/Ark of the Covenant), but Northern parts of the continent also serve as the only at least little mythical area in western hemisphere at the times of 2nd World War. Hollywoods most shining stars in the means of nostalgique, B & B are also placed there as them films were made during war times. For the Indy, magnet for anything nostalgic, the geographic placing is crucial for the mythological needs but also in needs of particular area and time for romanticed adventurer. Hero also needs something nostalgic(from 1980´s perspective) to fight against – mostly the nazis in early Indiana Jones films. In the Kingdom of the Crystal Skulls the enemy is changed to Sovjets, also now a foregone political power and nation and as such usable (as hell) in nostalgical sense.
So, the pre wartimes, afterwards often seen in nostalgic light, but not too much for variety of reasons, namely the happenings of 1940´s, serve as a framework for Indy´s first 3 adventures. He is there at home with similar mythical adventurers like Hugo Pratts Corto Maltese (who often wanders around the same corners of the world as Indy. Corto is also told to disappear in the Spanish Civil War, Indy however goes on). Afterwar, there is no place for such romantic heroes. Reason for that? One can find some answers in developing broadcasting networks, emerging global world trade dominance capitalism, or from just the fact that afterwar nostalgia appears to be totally different from pre-war times. Magic, witchcraft, optimistics, all typical for Indy-movies, more or less gone in post WW2-world. Indy can without problems fit into war-time scenes and action-fights with nazis as both are worth the adventure (in movie-sense), but his appearances in war times really serve to transformate the mythical cowboy image from late 19th century to the brand new age: That of the western civilization fighting against bad guys and decorated at the same time with some archeological mystics of 1920´s. In reality, also notable, the creation of Hollywood was fulfilled in that same decade often mentioned as the last truely mythical one in 20th century.
Typical for cinematic nostalgy characters, the movie cowboy is of course pure falsification (from its origins) and as such completely unbelievable in the real sense of the myth. So is his natural follower, the grave-robber archeologist. Leaving myths aside, Indy, bearing at the same time romantic idealism and all the characteristics of traditional cowboyish adventurer (the whip, the hat, the grin) hardly would fit for the limits expected from a post wartime hero. He is openly selfish, seeks archeological objects for his own pleasures as adventurer and is always in the habit of recklessly wandering from action scene to another, not necessary controlling situations by his sheer presence. The latter quality is naturally partly result from aims of Indy-films in their purpose to have fun on typical style features of the older adventure flicks. But Indy´s character as bearing the dignifying scars of war, the pessimistic melancholic tone or symbolizing the post war unity of the (winning) nations? No way.
So, Indy moves on to his 4th appearance in movies, which is said to happen in 1957. Now mythical powers are there again to make the circumstances bearable. Mythical in a sense that no human being, without extra-natural powers anymore fits into the role of traditional romantic hero so popular in post Second World War Hollywood nostalgia. Timing chosen is as succesful as its obvious: 1950´s, the first (and last) modern mythical decade available for nostalgic adventurers placed on imaginable frameworks of historical situations.
All this nostalgia taken into use for creation of falsified myths, it´s at least satisfying to notice that finally in the latest movie some real myths has been found. The 1950´s nostalgia kicks in, the Aliens, the atomic bomb (as mythical as convincing) are there. Pre war romantic master-archeologist, a little aged but as heroic as ever, is ready to serve the needs for supernatural deeds (CGIs, action-in-the-fast-lane, to name a few typical ones in nowadays movies). If Indy in the film is searching for some ancient artefacts he can´t in any means claim to be justified to, its just to link these mythical objects to the creation of fantasified myths of 1950´s he is actually facing. Certain scenes, like surviving from the mushroom cloud by enclosing in refrigerator, are but funny, but also lot more non-falsified as seen in the qualities of nostalgical needs. The joke (Lucas-Spielberg intentionally created one, the watcher might wonder?) comes from the fact that the real existing "magical" Crystal Skulls hunted have also been proven as modern falsifications.3
Taking the Roswell-connection to bit deeper examination4, its quite rational to ask for why it imight feel such unfitting to have aliens included in Indy-movie? As Indy´s actions and adventures are as unbelievable in the early parts too. Possibly its not kind of kids stuff, but serves well as quest for a truely believable adventure story (as nostalgic fantasy). It can also be noted that concerning Indiana Jones fantasies the extra-terrestrial element is more or less unavoidable (in the movie placed in 1950s), if there is to be any continuation for the archaic religious mythologies used and reused in earlier parts. The alien-human origin myths also serve to support the new transformation of the hero (from dignified archeologics professor/graverobber-wanderer to an aged superhero in the beginning of Nuclear decades.) Not to mention the need for nostalgical falsification of the old mythologies that in reality don´t have much in common with the archeological field, even less with Indiana Jones actions.
So, on the basis of myths, the Roswell connection in the film of the 1950´s is at least as defendable as placing mythical sacrifising ceremonies from distant times in the prevailing war years (three first Indy-movie sequels were situated in the years 1935-1939; see Wikipedia). Perhaps one of the most cashable modern myths(meaning the X-files and similar series based on rumours surrounding the Area 51), is also chosen for the main subject of coming next movie (if there will be any). That being the case also because it would be quite hard to imagine anybody else than Harrison Ford acting the role of Indy ? Or perhaps the dice is already cast, and we can give up hoping for more non-falsified true nostalgia...perhaps we are even doomed to see a brand new actor taking the role of Indy in the early adventures on the search of the unknown origin of Crystal skulls...as created by a mythical pre-European contact headhunter tribe inter-married with Alien Conquistadors? Hopefully not...
1. Comparison to Indy´s main real-life models is interesting for the fact that the wanderer Bingham ´originally´ found (or at least brought to wider public acclaim) the lost city of the Incas, Macchu Picchu. Belzoni was an explorer, a pre-runner in ´archeology´ at his times, best known for first locating the entrance to the great pyramid of Giza. See Wikipedia. In Belzonis times there was not really any real difference between archeology or methods nicely described as treasure hunting the (valuable) artefacts in old tombs. As well-known, Indy´s doings on archeological field are much of the same.
2. Known as Indiana Jones and the City of Gods (F.Darabant/G.Lucas), an early manuscript rejected in 1990´s. As one might easily notice, it is rather coincidence that the unused script should have been given the name commonly used as translation for Aztec-city Teotihuacan (in fact more correct translations suggested are as ´birthplace of the gods´ or ´place of those who have the road of gods´, see Wikipedia) which is, still used in contemporary language when meaning that particular city. The grounding and rulers of Teotihuacan have remained quite mystery, which explains the usefulness of the name of the place in nostalgic recycling of its mythical means (as re-creating the Indy-Hollywood mythologics).
3. Rincon, Paul, ´Crystal Skulls are Modern Fakes´, on 23.5.2008; Also noted on this blog: WhackoGecko, ”Newspost#2505” on 26.5.2008.
4. Roswell incident has inspired a multitude of films, series and of course books. Indy´s connections to the episode are, of course, mainly influenced by the UFO-myths connecting alien races to the beginning of first ancient cultures and civilizations (in North/South Americas prehistory). Also, widely noted is naturally the connection between the founding place of the crystal skull, carved lines on the ground of desert in Peru by the ancient Nazca-civilization. Nazca-culture has been most widely popularized with UFO-mysticism by Erich von Däniken et his followers.
"Rink-a-Tink-Tink-have-a-cool-drink!", Says the refrigetor. Comparing the coolest brands on Earth Firefox (3) is mentioned (by Mozillas own blog) having rocketed past Coca-cola and others by light-years as metered by Googles Trends. Well, we don´t care how much thats just statistical extra-hype but wish to hear some more good news on the way as the automaton dehumanizing progressive maschine is making bad news everywhere; and where the biofuels is mentioned, no grass grows anymore...
In Nigeria abandoned mines are causing risk of radioactivity for some 2 million inhabitants of the area, at Andes the eternally ever-lasted glacing part is melting...but all these threats to nature and human kind, we are still most worried from what will happen to the Oran-gu-tan ...which are mentioned as the first great human-like ape (yet alive) to be at the edge of extinction. Their latest (un)natural enemy: Global palm oil industry most productive at islands that are the living areas of orangutan: Malaysia and Sumatra. The biggest threat for them being ongoing deforestation, the animals are also little short of defenders, as they doesn´t have such qualities like cute looks and are not renown as close relative to humans like chimpanzees. Also orangutan hasn't been enjoying such protected status as Virungas Gorillas (helped by succes of followers for Diane Fossey, one can still notice that gorillas are counted by hundreds nowadays, not thousands as orangutans yet are). Important (culturally at least) movie roles for Oran-gu-tan also have been rarer than the other main species have gained; most renown film apes being Tarzans Cheetah (1931 onwards) and the Mighty King Kong (filmed 1933, 1978, 2004). However, Oran-gu-tans have had some appearances in movies, as character named Clyde in couple C.Eastwood films 1978 and 1980, and also they were in remarkable roles in the 70´s blockbuster films and TV-series which were based on Pierre Boules book Planet of the Apes. As in reality also highly intellectual, in those films orangutans were the ruling class among apes enjoying a science-priesthood position(Sadly for the 2001 boring version they were dropped from movie completely). Oran-gu-tans have also inspired other books (what else might E.R.Burroughs 'big humanoidic apes' be, if not Orangutans, as they are certainly not Chimpanzees and Gorillas[Bolgoni] are mentioned as other tribe ; think he (un)intentionally misplaced orangutans geographically [writers freedoms, I guess] in African jungles). Also, a well-known orangutan book character named Jupiter in Verne´s Mysterious Island roman. In music we find at least couple of groups using the name: in 1970 Hard Rock album named Orang Utan and later several bands from recent decades like Larry´s Orangutang, Acid Orangutang and Orangutang. At the quick look I wasn´t able to find any appearances at comics, but sure there are ...You can find some information about the apes as well as videoclips, news, etc. at Borneo Orangutan Survival UK . Also, Wikipedia link here.
In some parts of the planet blogging has also lately been listed as endangering habit, at the worst cases hobbyers informed to face death penalty. In MuleSkinner world, the area of free speech and thought, we take a strong opposition to such inhuman manners and notice that in the Net there´s always several alternative ways to get the messages to public notion – censorship most likely helps gaining attention for the things censored...In the area of social networking a new player in the field, named Swurl helps to gather all those important writings, contacts from several sites under one personal web-page, including also Youtube and other media-sites data...Google mentioned as cutting privacy policy-link from their front web-site...as they are also same time trumpeting their concerns to keep user privacy unaffected...
Stonehenge isn´t actually the only druidic temple ruins/burial places of ancient European origin-tribes. Ever heard of Ring of Brodgar at Orkney? We neither but now archeologists are proposing to start diggings there (1st since 1970) because most little is known from the "most spectacular stone circle in Scotland." We only stopped to wonder do they really think they´ve solved the mystery of Stonehenge, if in the close neighborhood area with such similar buildings hasn´t been even examined?
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The Time being, a rare moment in this period of warmth pre the oncoming Ice-Age...our newspost seems to be compiled of good advices for any trip planner; Which car to choose for economic driving, what to see at London, and finally couple of articles about coming sun eclipse... Powered by ScribeFire.
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