”The papers made no mention of the book, but they misreported him beautifully. They twisted his words and phrases away from the context, and turned his subdued and controlled remarks into a howling anarchistic speech. It was done artfully. One instance, in particular, I remember. He had used the phrase 'social revolution.' The reporter merely dropped out "social." This was sent out all over the country in an Associated Press despatch, and from all over the country arose a cry of alarm. Father was branded as a nihilist and an anarchist, and in one cartoon that was copied widely he was portrayed waving a red flag at the head of a mob of long-haired, wild-eyed men who bore in their hands torches, knives, and dynamite bombs.
He
was assailed terribly in the press, in long and abusive editorials,
for his anarchy, and hints were made of mental breakdown on his part.
This behavior, on the part of the capitalist press, was nothing new,
Ernest told us. It was the custom, he said, to send reporters to all
the socialist meetings for the express purpose of misreporting and
distorting what was said, in order to frighten the middle class away
from any possible affiliation with the proletariat. And repeatedly
Ernest warned father to cease fighting and to take to cover.
[…]
The
first blow was aimed at these special editions, and it was a crushing
one. By an arbitrary ruling of the Post Office, these editions were
decided to be not the regular circulation of the paper, and for that
reason were denied admission to the mails.
A
week later the Post Office Department ruled that the paper was
seditious, and barred it entirely from the mails. This was a fearful
blow to the socialist propaganda. The Appeal was desperate. It
devised a plan of reaching its subscribers through the express
companies, but they declined to handle it. This was the end of the
Appeal. But not quite. It prepared to go on with its book publishing.
Twenty thousand copies of father's book were in the bindery, and the
presses were turning off more. And then, without warning, a mob arose
one night, and, under a waving American flag, singing patriotic
songs, set fire to the great plant of the Appeal and totally
destroyed it.” (; Of chpt X,
'Vortex') ;...The quotes
are via Gutenberg'son-line vers. of the book...
; ...Comics - Story by name 'Mickey's own newspaper', from the 1930s. (Little modified) ...I wonder whether any socialist magazines of the time even considered this story for anything but to 'capitalist tricks'/, or counterfeit...yet, makes it makes still a classic for comics-story, I think.
--------
”...It was merely the logical
development of what in the nineteenth century had been known as
grab-sharing. In the industrial warfare of that time, profit-sharing
had been tried. That is, the capitalists had striven to placate the
workers by interesting them financially in their work. But
profit-sharing, as a system, was ridiculous and impossible.
Profit-sharing could be successful only in isolated cases in the
midst of a system of industrial strife; for if all labor and all
capital shared profits, the same conditions would obtain as did
obtain when there was no profit-sharing.
So,
out of the unpractical idea of profit-sharing, arose the practical
idea of grab-sharing. "Give us more pay and charge it to the
public," was the slogan of the strong unions.* And here and
there this selfish policy worked successfully. In charging it to the
public, it was charged to the great mass of unorganized labor and of
weakly organized labor. These workers actually paid the increased
wages of their stronger brothers who were members of unions that were
labor monopolies. This idea, as I say, was merely carried to its
logical conclusion, on a large scale, by the combination of the
oligarchs and the favored unions. (;
from chpt XV, 'Final days'
; ...The footnote(*) reads as: "All the railroad unions entered into this combination with the
oligarchs, and it is of interest to note that the first definite
application of the policy of profit-grabbin was made by a railroad
union in the nineteenth century A.D., namely, the Brotherhood of
Locomitive Engineers. …" )
-----
”Millions
of people were starving, while the oligarchs and their supporters
were surfeiting on the surplus.* We called these wretched people the
people of the abyss.** " ; from chpt XVI ; ...The footnote (**)
reads as: " '** The people of
the abyss--this phrase was struck out by the genius of H. G. Wells in
the late nineteenth century A.D.
...Many fragments of his
work have come down to us, while two of his greatest achievements,
"Anticipations" and "Mankind in the Making," have
come down intact. Before the oligarchs, and before Everhard, Wells
speculated upon the building of the wonder cities, though in his
writing they are referred to as 'pleasure cities.' " (X)
The
Iron Heel
(a
novel p, 1908)
By
Jack London (1875-1916)
(Recommendation
VI / 2014)
/ ; Series of view-points on Commonwealth, pt II.
; Goes with mention that these '#and half'-recoms usually appear been written to some follow-up for preceded actual chapters. At this case to our former utopian-post. (...Goes without mention as well, that several others from the books I shortly referred on that, could've been selected for the main recom on this. ...I merely decided for this, as I found it generally rather quick easy readable, and from structure/form more unique if compared to most others.)
Also, I'm
only to mention, that actually Jack London was among the major disappointments of my readings at the early youth. I guess, I must
have (part) read some from his (several) tales that contain some heroic
shepherd/wolf dog, never much liked the book, and resultatively
completely passed the authors other novels. Later on, I guess I
continuously confused him (as author) for some other youth fiction
writer who also wrote some stories of an Alaskan husky or
smtgh resembling (...likely, Curwood (J.O., 1878-1927), the story been of the Kazan, a 'heroic hound')
Lot more recently, I then happened read London's best known
wilderness/youth-adventure novel, Call of the Wild (1903).
Sort of liked the majestic language and landscapes described on the
book, but I didn't otherways pay too much more attention for London's
fiction after reading that either.
Until
this (recommened) book I probably never thought – like many –
London for anything but writer for popular youths fiction. Likewise, similarly than perhaps many, I probably even not much imagined there actually been any american socialist workers coalitions (or,
fiction written about them) during years before the years described by the
Steinbeck (John, 1902-68. ...Whose massive, voluminous novels from 1930s Great Depression-era, ie The Grapes of Wrath,
p. 1939 and East of Eden, p. 1952, I do remember from had read sometime on my early days). However, there was, and it seems that London
was – along from been the best-selling author at the early 1900s –
as well among the foremost from socialist authors on those times. (Of course there also was number others, fx Upton Sinclair, 1878-1968; Richard Wright 1908-1960,...by coincidence, he seems been born on a same year than London's Iron Heel was published.) ; But the
novel, in brief (as I don't mean to devote very much time or space on
this followed sequel for our preceded recom), is usually considered
to London's fictional 'testament' about his devotion to
socialist movement. ; ...Precisely how took place the general disclaim of this book of the
public 'inheritance', and, along that also the disappearance of London's image as some
socialist-author, I've not any particular idea...but I just suppose
it must've been sometime around postwar years. (With the national
anthems and flags flapping on air, parades etc., and also already 'on air' the soon
araised suspicion about 'commies' lurking behind every corner,...etc. Even if not too familiar of this story, I guess at least we have
every reason to imagine it maybe could've happened that way.) I also
noticed on someplace it written that still around end from the 1920s
London was generally well recognized also to a socialist author...and can of course have remained ever since, at least in the minds
of some people. But the irony of it, possibly, seems be that
this discussed novel, The Iron heel, (apparently) never was
actually banned – but that wilderness-fiction piece (ie Call of the
Wild) was. (Due from because of the explicit language, sexually offensive
tones, or from whatsoever reasons).
Like
noted on our former post, the book seems been intentionally written for some alternative history from the (then) close futures (...about decades from 1910-, events described taking place
on a few years postward from time it written). Again, in brief, on a
few words, could be said that London aimed to offer his
contemporaries a view about the history that was to be deprived
from them (along w. the other chapters negated, less and better known
from...). And, he wrote his 'foresee' (this piece of fiction) even
before any from the above said had actually happened. But the way
book comprises facts and fiction appears be, indeed, very succesfull.
Sometimes, while reading it, one can (easily) fail from keep in mind that
it's actually a novel you are paging, and inconspiciously begin thinkin' the story told for an actual historical realities told.
Recommended. ...even that Londons main characters often are merely rather heroically idealised, psychologically uninteresting types. ...I-o-w; Even Burroughs's Tarzan succeeds reflect more of a philosophical thought and less of the 'superhuman qualities' than appears written in the characteristics London has gathered on his socialist leader (Everhard, depicted in the book). But, that's actually a minor fault, I suppose the reading public also quite much awaited and yearned for that kind of heroism and strong defenders for themselves...against that big bad capital. And the negation. (; G.U.J.)
Recommended. ...even that Londons main characters often are merely rather heroically idealised, psychologically uninteresting types. ...I-o-w; Even Burroughs's Tarzan succeeds reflect more of a philosophical thought and less of the 'superhuman qualities' than appears written in the characteristics London has gathered on his socialist leader (Everhard, depicted in the book). But, that's actually a minor fault, I suppose the reading public also quite much awaited and yearned for that kind of heroism and strong defenders for themselves...against that big bad capital. And the negation. (; G.U.J.)
'Ilmachio', |
; (beside left), Niccolo Machiavelli (A sculted relief).
; ...Was my original intention of accompanying this w. the suitable paragraphs and formulations of a political thoughts and aphorisms from Machiavelli (1469-1527) and Rousseau. ...But, 'Jack-the-socialis', sort of, stealed the whole show, and so we only have these few sculpted portraits about these 'ancient' historical personnel to some decoration. (W. the usual respects and honours cherished, etc...)
Note:
X: 'The people of the Abyss' ; ...I merely selected the final quoted paragraph of the novel (on begins of post) because from this
footnote, as it explains nicely London's technique throughtout the book: Wells actually did write both of those books mentioned (on 1903, and 1901), ...on a quite similar manner to the note quoted, there's amounts
information 'sunk' in the midst of text in the book, fx about socialistic theory, the poor and deprived, plus the other aspects related,...Which, sort
of, 'blurs' the limits btw fiction and non-fiction. - ...For example, Wells and his (invented) term 'people of the Abyss' belongong
to the non-fictional aspects. ...Even noticing that London leaves out from mention that Wells's
views, like of many his contemporaries, merely
were concentrated on how the society easiest would get rid of that "scum",
the poorest and 'least civilized' classes (Thought for some unnecessary obstacle to an arrival of the proressive new modernist era...which was the view shared by many representants for intelligentsia and cultural elites of the time.) Term originates from Well's Time Machine, but unlike most of the mentioned London also had visited the London slums...maybe from there his author name? I guess it wouldn't be an actual name...) Anyhow, fx Ernest Everhard is purely fictional character...while possiby he also originated on basis from real persons. Likewise, was commonly discussed about expected social/technological developments, of what the idea from 'wonder cities', likely.)
Rousseau, portrait (a bust). |
-----------
;
...Concerning the raiders, sort of continuing serie of ours on recent posts, this one actually makes the a sequel of the two in about the greatest vice of all, the War. (On
this case, means war against humanity...or however you care to
interpret my p-o-w.)
( The latest posts! - @ Mulskinner Blog @ )
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