By H.P.Lovecraft (; An essay, orig p.1925)
[Book Recommendation I / 2014]
”...But
as always in my strange and roving existence, wonder soon drove out
fear; for the luminous abyss and what it might contain presented a
problem worthy of the greatest explorer.
… My
fears indeed, concerned the past rather than future. Not ever the
physical horror of my position in the cramped corridor of dead
reptiles and antediluvian frescoes, miles below the world I knew and
faced by another world of eerie light and mist, could match the
lethal death I felt at the abysmal antiquity of the scene and it's
soul. An ancientness so vast that measurement is feeble seemed to
leer down the primal stones and rock-hewn temples, in the nameless
city, while the very latest of the astounding maps in the frescoes
shewed oceans and continents that man has forgotten, with only here
and there some vaguely familiar aspect. Of what could have happened
in the geological aeons since the paintings ceased and the
death-hating race resentfully, succumbed to decay, no man can say.”
;
H.P.Lovecraft, The
Nameless City (1921)
”(And
this lesson about mortal piece of mind I never forgot. Even if a
ghost is ripping a house to pieces, throwing away tin pans all over,
pouring water on pillows, making clocks chime at all hours, mortals
will accept almost any 'natural explanation' offered, no matter how
absurd, rather than the obvious supernatural one, for what's going
on.)” ; Anne Rice,
Vampire Lestat (1985)
”Put
simply, what he said was this: That there was undoubtedly some sort
of Fate, or Doom, connected with the Poles of the earth in reference
to the human race: that man's continued failure, in spite of
continual efforts, to reach them, abundantly and super-abundantly
proved this; and that this failure constituted a lesson – and a
warning – which the race disregarded at its peril.
The
North Pole, he said, was not so very far away, and the difficulties
in the way of reaching it were not, on the face of them, so very
great: human ingenuity had achieved a thousand things a thousand
times more difficult; yet in spite of over half-a-dozen well-planned
efforts in the nineteenth century, and thirty-one in the twentieth,
man had never reached: always he had been baulked, by some seeming
chance – some restraining Hand: and herein lay the lesson –
herein the warning. … But I believe that I had not yet reached home
, when the whole impression of the discourse had passed from me like
water from a duck's back. The Prophet in the twentieth century was
not success, John Baptist himself, camel-skin and all, would, have
met with only tolerant shrugs. I dismissed Mackay from my mind with
the thought: 'He's behind his age, I suppose'.” J.P.Shiel,
The Purple Cloud (1901)
Perhaps funnily (...or, perhaps not), but my original attention for the
H.P.Lovecraft's (1890-1937) stories at this, inspired of the 'inaugural' resemblance w. modern days by a
certain Lovecraftian tale. I mean, of course, the story 'At the Mountains of Madness'
(1931), situated on Antarctica, and usually considered as the Lovecraft's main epic achievement. (His projected
larger novel, never came to existence, I read of that.) Aforementioned resemblance was awakened by simulteneously viewing some comparable recent episodes goin' on – which was the planned (/fulfilled) projections of the uses of Arctic oils in the
human fuels production. (Made me thinkin', sort of, won't them ever learn. Some pure madness, comparable on realization, to these horror fiction tales and imagined catastrophisms ...the Permafrosts meltin', yet the consumptive code still rollin',
steadily, and the cashier-machine kept swingin', no forethought for anything, apparently.)
My intention, in the first place, was not to add on our recoms more horror-stories. Already we've presented several, and so I only reluctantly selected this essay-text of the early 1900. However, Lovecraft's always been some from my favorite horrorists, although I don't perhaps consider all his works that well written, or even succesfull. But there certainly was smtgh very catchy in his style writing, and via from observing his bio I also discovered this recommended history from horror-fiction. ; ...There's of course also wider amount Lovecraftian stuff on the net, one can fx view most from the stories, this recommended txt, and probably also lots more on his official website.
; Seems to me also, that this recommended essay has served for sort of a 'school book' for the one and other critic/or similar of the horror fiction - at least very often on criticisms and compilations of popular stories you find terms that might've originated from this text by Howard Phillips [H.P.]. ...It has lots of well-invented phrases and terms (I don't point out any, go and seek of those, for the fun of it.) Otherways, the text has lots well readable references for past and modern writers (of the terrified and horrirying.) With my (very) limited familiarity of the horror fiction I only found couple of 'faults' to blame him (H.P.) for: Namely, that he only seems by briefly mention Sheridan Le Fanu (1814-73), nowdays so much praised for 'the actual father of the english ghost-story' (at least favored by modern critics). Fanu fx wrote that early Victorian-era vampire novella, Carmilla (on 1872). Perhaps it was his Irish background that explains his neglect on essay, only few sentences worth...However, maybe it's as well quite possible if Lovecraft wasn't too familiar from his novels (...'though little odd cause there's fx plentysome writers mentioned that the less devoted reader like me, finds of interest, perhaps.) ; Fx: Maturin [C.R. 1782-1824, Melmoth the Wanderer, p. 1820, his 'masterpiece', at least acc. H.P.], then Horace Walpole (1717-97), whose 'early gothic' The Castle of Otranto Lovecraft finds 'mediocre' (like it is) but still notices for been quite influential a ghost-story on it's times. Or from the later eras; Ambroce Pierce, Montague Rhodes James, etc... ; Of the aftermath for gothic fiction he [H.P.] informs us also that (also there was) "...dreary plethora of trash like Marquis von Grosse's Horrid mysteries (1796), Mrs Roche's Children of the Abbey (1796) ...the poet Shelley's schoolboy efflusions Zastrozzi (1810) and St. Irvine (1811)." ...Indeed, just like at our own contemporary times. And (indeed), what an inexhaustible source of the horrorist (literaturist) knowledge this H.P. was, even if the man had all those very apparently Late Victorian preferences, or whatever the better definitions about that. ; ...Finally, of the essay I also observe at this that he seems only in passing from mentioning the importance of publication of Tales of Thousand Nights (those arabian fantasy-tales) at the early 1800s for the French (and to English, likely?) reading public, also lists a few influenced writers. But, I think, it likely had more wide-ranging importance in time, probably...
; ...I don't either mean say much from him as an author at this (Those lenghtysome quotes on above, were to serve as the aid from avoiding/ having not to 'dig too deep' at the Lovecraft's 'mythologies', or even for his bio.) Yet, I at least checked shortly of the man from what I happened have available - Did then find this pocket edition by the same name (At the Mountains of Madness, Modern library books and from around 2000s). It has the mentioned novella and also this recommended 'definitive' essay about past writers of horror. Also contains quite good preface about the man [H.P.], his times and his 'monsters' (written by China Míeville). ; ...Mieville seems fx mention from the importance of Oswald Spengler's (1880-1936) philosophies to H.P. (esp. The Decline of the West, p. ...on 1918); ”...[Spengler's] portentious vision was a scar caused by the wound of early twentieth-century cataclysms. His worldview was enormously influential. Hitler was an admirer ,as were the right-wing theorist Julius Evola and the wack-job high-priest of American 'intellectual' fascism, Francis Parker Yockey. But Spengler's model had a wider cultural impact. Relatively mainstream figures such as the historian Alnorld Toynbee and the writers Jack Kerouac and Henry Miller drew upon his ideas.” [; Introduction, p. xx ])
- ..Whether or not we estimate that the influence was only limited (or, major) for H.P. as well, Spengler's 'negative prophesies' clearly had some source/origins at the 1800s interest at the 'development' of the organic forms, and also represented (a certain) belief on that the 'biological laws', were applicable to the development of cultures too. (On that sense, Spengler only considered the fall and decline necessary at the development of all life-forms, and he probably only believed them for the unavoidable and inescapable to the human cultures too, expansionism of the western civilizations only it's latest, dying phase.) ;...Feels therefore also informative/proper at this quote of the following sentences too(...the preceded war years, and the gloomy and dark futures expected, certainly lay around everywhere/somewhere most of the stories and of the times Lovecraft was writing his horrors); ”...at the beginning of the twentieth century, belief in the rational suffered a massive blow on the charnel fields of the First World War. […] psychic and cultural trauma of the first World War is vast – perhaps even 'undescribable'” [; Introduction, p. xv]
; Much more of the backgrounds of H.P.'s fiction one could possibly point out: esp. from the stories reflecting those actual fears of his generation, Fears from 'upraisal of the
masses' (/the under-class(es), which theme 'bubbles under'
Lovecraft's Shoggoths and various other 'undescribable beasts'
he'd invent; The miscegenation fears (imagined
'dilutement of the "pure" race(s), and likewise the adjoining view from the decline of civilizations...but read more of it of that
introduction (Míeville), I only decided for worth of few pages devoted on
H.P. at this.
(...All of it's actually very much typifying to those times from the 1920s, but, at the time those fears were felt actually for very real causes of anxiety to the majority people, or at least were fears shared by many. And other similar racial fears, that acc. Míeville are most apparent also on H.P.'s 'overly racist' works like the Shadow over Innsmouth, The Dunwich Horror and The Horror of the Red Hook. None of those situates among Lovecraft's any better short-fiction, though. At least the Dunwich-tale that, however, is very a 'primer' example of the above described, it has the 'voodoo-hoodoos', backward-lands and -peoples, ao..So no wonder then that it's also mentioned for a story having during years inspired numerous 'B-flick' films et similar genre(...and other bunch of the popular rubbish.)
(...All of it's actually very much typifying to those times from the 1920s, but, at the time those fears were felt actually for very real causes of anxiety to the majority people, or at least were fears shared by many. And other similar racial fears, that acc. Míeville are most apparent also on H.P.'s 'overly racist' works like the Shadow over Innsmouth, The Dunwich Horror and The Horror of the Red Hook. None of those situates among Lovecraft's any better short-fiction, though. At least the Dunwich-tale that, however, is very a 'primer' example of the above described, it has the 'voodoo-hoodoos', backward-lands and -peoples, ao..So no wonder then that it's also mentioned for a story having during years inspired numerous 'B-flick' films et similar genre(...and other bunch of the popular rubbish.)
;
...However - not much else to say on this, but – imagine also my
surprisement when I ran to this (above quoted) passage at that
bit less famous, but equally quite appreciated novel by J.P.Shiel. - In brief, this 'coincidence' also made me think
that people at that well-gone paranoid era (early 1900s to
-30s about) yet were, also maybe a bit more aware of the definiteveness of these imagined world-end visions. I
mean, of their recent experiences they knew there wouldn't be (any) return to the preceded. If the world was to end, that
wouldn't be revoked, or the past civilizations rebuilt anymore.
;...And besides, from that same novel of Shiel - the book also appears an end-of-mankind novel, popular type of 'doomsday visions' on those times - I also happened at first pay attention on that (very) Lovecraftian term (H.P. also often uses it, see above quote, fx), namely the word Antediluvian. Rather unusual word, but, caught my attention due because it's popularity at these turn of the century books. Possibly that has to do w. the slowly increased wider knowledge/understanding about those vast time-scopes of the (so called) past geological time. Popular 'horrorists' possibly often were rather well aware of those latest scientific theories (H.P. esp., he fx mentions Wegener's theories from the Plate tectonics at that antarctic novella above referred). In the popular imagination it was little different, and alongside the progressive, or futurist early centurys, much popular myth and 'biblical belief' flourished in parallel - So I find it not very unlike also if these 1800s widely believed theories about the ancient pre-Columbian races actually are behind much from Lovecraftian mythologies, or at least did a lot inspired him, and (probably) even more his readers imaginations. (...Meaning those beliefs for the foregone master-builder races, mysterious makers for the long ago abandoned temples and monuments, cities, pyramids, at the American continents, ...and alike sometime popular belief for that 'lost tribe of the Hebrews'.) In brief, many lovecraftian stories contain much fictionalization (fx he sometimes mentions actual scientists alongside the self-invented characters, fx.), but he also wrote very contemporary fiction (to readers of his own time) - And still nowadays one can observe the offshoots and later cultivation of the similar stuff, occasionally seen here and there.
;...And besides, from that same novel of Shiel - the book also appears an end-of-mankind novel, popular type of 'doomsday visions' on those times - I also happened at first pay attention on that (very) Lovecraftian term (H.P. also often uses it, see above quote, fx), namely the word Antediluvian. Rather unusual word, but, caught my attention due because it's popularity at these turn of the century books. Possibly that has to do w. the slowly increased wider knowledge/understanding about those vast time-scopes of the (so called) past geological time. Popular 'horrorists' possibly often were rather well aware of those latest scientific theories (H.P. esp., he fx mentions Wegener's theories from the Plate tectonics at that antarctic novella above referred). In the popular imagination it was little different, and alongside the progressive, or futurist early centurys, much popular myth and 'biblical belief' flourished in parallel - So I find it not very unlike also if these 1800s widely believed theories about the ancient pre-Columbian races actually are behind much from Lovecraftian mythologies, or at least did a lot inspired him, and (probably) even more his readers imaginations. (...Meaning those beliefs for the foregone master-builder races, mysterious makers for the long ago abandoned temples and monuments, cities, pyramids, at the American continents, ...and alike sometime popular belief for that 'lost tribe of the Hebrews'.) In brief, many lovecraftian stories contain much fictionalization (fx he sometimes mentions actual scientists alongside the self-invented characters, fx.), but he also wrote very contemporary fiction (to readers of his own time) - And still nowadays one can observe the offshoots and later cultivation of the similar stuff, occasionally seen here and there.
;...But, in
spit of it all (...that all decadence or decay, the cultural 'degenerescence and desperedescence' on during the early 1900s), you might've perhaps expected me for to say a few words about those interesting opposites I also discovered/invented
during writing this. Or, say; That 'strange kind of
similarity' one might feel there exist fx between some figures, like Lovecraft
– Kafka, fx ; Or, Reagan – Brezhnev (...that horrifying
similarity, all too desribable' to think of it, all about the
Alzheimer's etc...); McEnroe – Borg (...on tennis, of course from the totally different field, hobby or era, meaning just the industries from
sweatbands and -shops, so common on sports...); ...and also, makes me a
mention at this the sarcastic comparison btw Hitler-Einstein
(...it's that famous anecdote from that a favorite author by both -
like actually to many people of early 20th centurys
- was Karl May (1842-1912)...but possibly it's false story, whether the latter
mentioned even might have read any fiction books. Besides, if he did, Einstein on most stories is described some good humour man and I find hard believe him to really have liked those boresome and pathetic novels of May's. ...Like we find them nowadays. But who knows, I actually recall from have read Winnetou from comics on my early days...) ; And, let anyone freely imagine from and about similar
kind of 'total opposites', none from this last paragraph represented much seriously picked
examples, as these for just some good humours for the ending of this (Recom 38)... [; W-G.]
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