The Tenant of Wildfell Hall
By Anne Bronte
(p. 1848)
[Book Recommendation III / 2013]
From fiction books I've reently had chancce to view this was of my
most interest. That said, seems reasonable point, that Anne Bronte
(1820-49?) perhaps (/likely) remains the least renown from those 1800's
writing Bronte-sisters (But not anyhow unknown to modern reader, of course.) Also, unless I'm not mistaking from that (not
too unpossible at this case, I've fx not viewed her bio for this),
the discussed book represents sole novel she ever wrote.
There wasn't actually any difficulty from select this particular book
on our recommendations. Although, I did have also few other possible
alternatives considered; ...From similarly good old books – perhaps
as 'examples' of the past centuries 'minor classics', or,
'literature genres' (, ...or, whatsoever) - I also read fx
William Godwin's (1756-1836) novel Caleb Williams
(p.1794). And, I also read Daniel Defoe's (1659-1731) Roxana,
the Fortunate mistress (p. 1724). Both of those, like this novel
discussed, seem for (relative) little famous, or little remembered nowadays. Yet, were
well received by the critics and/or reading public on their time of
publication. (With some exception from the Godwin, whose book
actually was lot more popular originally, even though' nowadays it appears perhaps less better known than the 'comparisons' mentioned.)
...Each
of these novels makes somewhat different examples (of
fiction). Godwin's novel probably might've made most interesting selection
due from it's criticism(/condemnation) of the bourgeoise class-society and
it's social unequalities. Defoe's book (/the main characters 'misfortunes'
on it) were written in a manner that seems produced several similarly
popular stories, albeit majority of those seem appear far less worth for reads. And, on a little similar vein as The tenant, there
perhaps was written lots books on during the post-romantic
literatures, or -period. Each from mentioned, however, would make quite enjoyable readings and compact novels - probably also (partly) the reason for them still to be
somewhat remembered.
However, the recommended book was unavoidable selection, simply because I think it best from mentioned as a novel. (That selection despite that we've earlier presented also Bronte-biography at this serie.) Although each of these novels mentioned would've made good examples considering their own centuries social moral, customs, etc. On the other hand, we've before this far (37+ recoms) presented rather few fiction books/novels/stories of the centuries prior 1800s.
About
Anne Bronte appears it noted that she wrote this book while very
young, only seems been only 19 of age. She also died earliest
from the Bronte-sisters (when not counting the oldest of sisters,
who died at their childhood), so she didn't live to see many years after the books was publiced. Somewhat interesting view-point (also) that The tenant is often merited from very skillful description of
emotions and personnel relationship (Seems been wondered how she was
capable to such talented writing about those aspects at such young
age.)
...I've
actually read this book on several occasions. At my first reading, the book didn't so much impress me, but when later reading that I
found it more rewarding than had earlier considered. Generally (/superficially),
it's perhaps quite common-place romantic novel from the upper-middle class
(rural-) life of those times. Plot has elements that probably were
somewhat usual at this kind of literature/fiction; the romantic
atmospheres/landscapes, the garden walks, the social play, the drunkyard husband, the neglected widow, mansions and vicarages, fields and sea-sides, ...etc.
Basically (somewhat) much on the same vein than her sisters bit
more renown books. There's fx also dramatic scenes and lot
emotional description of inner feelings (But, fx not any 'gothic' or supernatural
elements, sometimes pointed show from Wuthering Heights, p.
1847, or from Jane Eyre, also was p. -47.) Anyway, it's very good social relations novel, even
if the reader (/us) might consider some elements of the story quite
usual or resembling for modern melodramas (...et similar).
Likewise,
has to be said that the book keeps it's tension most of time very
well.
...Or, in other words it rarely becomes boring to read - I say so, because my own 'finding' from reading (some, perhaps majority) from those widely favored and/or famous, world-appreciated, 19th-century classic authors only seems - mostly, 'though not solely - contain a list from rather opposite kind (of impressions).
Of
course, the following only some personal opinions, but...I recall from
not ever having bothered read much further than perhaps (about) 50 first
pages of a novel by Dickens (...I've read that classic X-mas novellette, though. But, fx Dombey And Son (1848), there it rests someplace on my bookshell, occasionally few pages of the book glanced and reshelved for good. Can't deny from him been talented writer, 'though.) Furthermore then,
I suppose I never bothered read Henry James's
Portrait of the Lady (1884) far either. (Even that - I suppose
- I really must have thought it for some 'cornerstone' among those books of the era described.) ...And, quite the same concerns many of the french
contemporaries to those; Flauvert's
Madame Bovary (1857?) I recall from having read some
time past (It probably made some impression; psychological,
emotional, and smtgh like that - but otherways, only was equally boring
read.) Same can of course be noted from most of Zola's novels I've
ever began (...what a drysome biologist...guess I've ever paged only rare few from his novels, though...). For Hugo's Les miserables (1862) I
guess my interest lasted to some first 150 pages worth, about.
...To return for the British, George Eliot's (Mary Ann Evans by birth...I suppose) Middlemarch (1871) I even once forced myself to page from the very begins until it's very last page (...but now I only wonder why. Perhaps it was because I thought it must've held some promise the book never redeemed; That too only some waste of time.)
And, from other English 'literature giants' (...but originally he was Polish, I
suppose...), Joseph Conrad's Heart of Darkness
(1902) it did find plainly just for exiting story, not any 'remarkable masterpiece' it was later up-lifted for (...book has some
moments...but I can't say ever having understood why in the world
that should've appear - for it seems been/is considered - to
some 'plain view about those demonic depths of an imperialism'-era).
However, I also read Conrad's Secret Agent (1907), but did't
find that similarly over-appreciated, at least wasn't too boring.
Also Nigger of Narcissus (1897) I've read sometime past, and
thought it not too bad either, I suppose. (...unlike some other
Conrads novels I never finished to read.)...Finally, Kipling
I've actually always somehow (by instinct) considered best to avoid completely (...well, the Jungle
Book, p. 1894, I only luckily missed not to read on my youthful
days, I guess.) Not has read much from Wells either (...So I can't
say even that much of those authors). The last mentioned –
Kipling, Conrad, Wells – also situate mostly for early 1900s, not
actually are (via context/their writings) typically 1800ian authors.
Like earlier discussed, the above paragraph mainly of personal opinion; Might not
necessarily even represent my final judgements about those books (...in case I'd ever
happen bother to view again those novels discussed). Quite a random
selection/examples from 1800s literature I think over-esteemed. So, to
'pass my judgements for effect' [ :)], I'll finish this recom. by
noticing we've had pretty much books from English (1800s)
literature presented already. Therefore, I'll limit the English fiction aside from any of the forthcoming book reviews. (...Also, as the consequence from that I'd then
have to read most from any later reviewed (fictional books/novels) as translations. As I've probably not language skills for original texts. Often a troubling aspect,
as sometime before was noted....)
(G.U.J.)
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