The Frogs Have More Fun...

Flowers



"All the names I know from nurse:
Gardener's garters, Shepherd's purse,
Bachelor's buttons, Lady's smock,
And the Lady Hollyhock.

Fairy places, Fairy things,
Fairy woods where the wild bee wings,
Tiny trees for tiny dames.
- These must all be Fairy names !"

(from Child's Garden of Verses
by R.L. Stevenson)


"Anyone can write a short-story.
A bad one, I mean."

(R.L. Stevenson)
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"Science without conscience is the Soul's perdition."
- Francois Rabelais, Pantagruel
- Acc to/above is citated from: Medical Apartheid. The dark history of Medical Experimentation on Black Americans from Colonial Times to the Present, by Harriet A. Washington (Doubleday ; 2006 ; p. 1.)

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"In the high society of the first half of the century, marriage, despite it's bestowal status upon the wife, was the most absurdity. Marriage, conferring instanteous rank or money, ... lost most of its prestige and moment right after the wedding. ...By the end of the century, spurred by Rousseau's moralistic Nouvelle Hèloíse, a contrary cult, that of virtue, arose. After 1770 conjugal and maternal love became not merely admissible, but, for some, moral imperatives. ...

[...]
...Rousseau, who sought for himself the crown of morality in ostensibly defending marriage, presents in his Nouvelle Hèloíse the most enticing and extended defense of illicit love ever penned. The root of the problem is that as the century progressed sensibility became confused with morality: passionate feeling, if expressed in a highly civilized mode with grace and nuance, makes us forgive the Rousseau of The Confessions, for example, his pettiness, his jealousies, his betrayals. This moral-amoral byplay, present already in the novels of Richardson, was to be more intense as the century unfolded."
-
Madelyn Gutwirth : Madame De Staèl, Novelist. The emergence of the Artist as Woman (10,15.)

;
"...As the social contract seems tame in comparison with war, so fucking and sucking come to seem merely nice, and therefore unexciting. ... To be 'nice', as to be civilized, means being alienated from this savage experience - which is entirely staged. [...] The rituals of domination and enslavement being more and more practiced, the art that is more and more devoted to rendering their themes, are perhaps only a logical extension of an affluent society's tendency to turn every part of people's lives into a taste, a choice; to invite them to regard their very lives as a (life) style." - Susan Sontag , on 'Fascinating Fascism' (-74; p 103;104-5 at Under the sign of Saturn)
; "Anyone who cannot give an account to oneself of the past three thousand years remains in darkness, without experience, living from day to day." (Goethe) - as cited by Sontag (on same compile; p. 137.)

;
"It is widely accepted that we are now living in the 'Anthropocene', a new geological epoch in which the Earth's ecosystems and climate are being fundamentally altered by the activities of humans. I loathe the term, but I can't deny that it's appropriate."
; (Goulson), Silent Earth : Averting the Insect Apocalypse (2021; p 47.)
;
"It is sometimes said that humanity is at war with nature, but the word 'war' implies a two-way conflict. Our chemical onslaught on nature is more akin to genocide. It is small wonder that our wildlife is in decline."
; (Goulson, 2021 ; 118.)
;
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"If we believe absurdities, we shall commit atrocities." (Voltaire)
- Citated from; (Joy, Melanie), Why We Love Dogs, Eat Pigs and Wear Cows : An Introduction to Carnism(2010; p. 95.)
;

"In the presence of the monster, you have eyes and ears for nothing else."
; (Flora Tristan) : London Journal of Flora Tristan: the Aristocracy and the Working Class of England ; 1842-edit. (tr: 1982. ; p. 71.)

;
"Every minority invokes justice, and justice is liberty.
A party can be judged of only by the doctrine which
it professes when it is the strongest."
Mdme de Staêl
(on) 'Consideration sur le Révolution de la Francaise' [1818]


10/25/13

MSW Book Recommendation # 37


The Tenant of Wildfell Hall 
By Anne Bronte
(p. 1848)

[Book Recommendation III / 2013]


From fiction books I've reently had chancce to view this was of my most interest. That said, seems reasonable point, that Anne Bronte (1820-49?) perhaps (/likely) remains the least renown from those 1800's writing Bronte-sisters (But not anyhow unknown to modern reader, of course.) Also, unless I'm not mistaking from that (not too unpossible at this case, I've fx not viewed her bio for this), the discussed book represents sole novel she ever wrote.


There wasn't actually any difficulty from select this particular book on our recommendations. Although, I did have also few other possible alternatives considered; ...From similarly good old books – perhaps as 'examples' of the past centuries 'minor classics', or, 'literature genres' (, ...or, whatsoever) - I also read fx William Godwin's (1756-1836) novel Caleb Williams (p.1794). And, I also read Daniel Defoe's (1659-1731) Roxana, the Fortunate mistress (p. 1724). Both of those, like this novel discussed, seem for (relative) little famous, or little remembered nowadays. Yet, were well received by the critics and/or reading public on their time of publication. (With some exception from the Godwin, whose book actually was lot more popular originally, even though' nowadays it appears perhaps less better known than the 'comparisons' mentioned.)
...Each of these novels makes somewhat different examples (of fiction). Godwin's novel probably might've made most interesting selection due from it's criticism(/condemnation) of the bourgeoise class-society and it's social unequalities. Defoe's book (/the main characters 'misfortunes' on it) were written in a manner that seems produced several similarly popular stories, albeit majority of those seem appear far less worth for reads. And, on a little similar vein as The tenant, there perhaps was written lots books on during the post-romantic literatures, or -period. Each from mentioned, however, would make quite enjoyable readings and compact novels - probably also (partly) the reason for them still to be somewhat remembered. 

However, the recommended book was unavoidable selection, simply because I think it best from mentioned as a novel. (That selection despite that we've earlier presented also Bronte-biography at this serie.) Although each of these novels mentioned would've made good examples considering their own centuries social moral, customs, etc. On the other hand, we've before this far (37+ recoms) presented rather few fiction books/novels/stories of the centuries prior 1800s. 
 
About Anne Bronte appears it noted that she wrote this book while very young, only seems been only 19 of age. She also died earliest from the Bronte-sisters (when not counting the oldest of sisters, who died at their childhood), so she didn't live to see many years after the books was publiced. Somewhat interesting view-point (also) that The tenant is often merited from very skillful description of emotions and personnel relationship (Seems been wondered how she was capable to such talented writing about those aspects at such young age.)

...I've actually read this book on several occasions. At my first reading, the book didn't so much impress me, but when later reading that I found it more rewarding than had earlier considered. Generally (/superficially), it's perhaps quite common-place romantic novel from the upper-middle class (rural-) life of those times. Plot has elements that probably were somewhat usual at this kind of literature/fiction; the romantic atmospheres/landscapes, the garden walks, the social play, the drunkyard husband, the neglected widow, mansions and vicarages, fields and sea-sides, ...etc. Basically (somewhat) much on the same vein than her sisters bit more renown books. There's fx also dramatic scenes and lot emotional description of inner feelings (But, fx not any 'gothic' or supernatural elements, sometimes pointed show from Wuthering Heights, p. 1847, or from Jane Eyre, also was p. -47.) Anyway, it's very good social relations novel, even if the reader (/us) might consider some elements of the story quite usual or resembling for modern melodramas (...et similar).
Likewise, has to be said that the book keeps it's tension most of time very well.


...Or, in other words it rarely becomes boring to read - I say so, because my own 'finding' from reading (some, perhaps majority) from those widely favored and/or famous, world-appreciated, 19th-century classic authors only seems - mostly, 'though not solely - contain a list from rather opposite kind (of impressions).

Of course, the following only some personal opinions, but...I recall from not ever having bothered read much further than perhaps (about) 50 first pages of a novel by Dickens (...I've read that classic X-mas novellette, though. But, fx Dombey And Son (1848), there it rests someplace on my bookshell, occasionally few pages of the book glanced and reshelved for good. Can't deny from him been talented writer, 'though.) Furthermore then, I suppose I never bothered read Henry James's Portrait of the Lady (1884) far either. (Even that - I suppose - I really must have thought it for some 'cornerstone' among those books of the era described.) ...And, quite the same concerns many of the french contemporaries to those; Flauvert's Madame Bovary (1857?) I recall from having read some time past (It probably made some impression; psychological, emotional, and smtgh like that - but otherways, only was equally boring read.) Same can of course be noted from most of Zola's novels I've ever began (...what a drysome biologist...guess I've ever paged only rare few from his novels, though...). For Hugo's Les miserables (1862) I guess my interest lasted to some first 150 pages worth, about.

...To return for the British, George Eliot's (Mary Ann Evans by birth...I suppose) Middlemarch (1871) I even once forced myself to page from the very begins until it's very last page (...but now I only wonder why. Perhaps it was because I thought it must've held some promise the book never redeemed; That too only some waste of time.)
And, from other English 'literature giants' (...but originally he was Polish, I suppose...), Joseph Conrad's Heart of Darkness (1902) it did find plainly just for exiting story, not any 'remarkable masterpiece' it was later up-lifted for (...book has some moments...but I can't say ever having understood why in the world that should've appear - for it seems been/is considered - to some 'plain view about those demonic depths of an imperialism'-era). However, I also read Conrad's Secret Agent (1907), but did't find that similarly over-appreciated, at least wasn't too boring. Also Nigger of Narcissus (1897) I've read sometime past, and thought it not too bad either, I suppose. (...unlike some other Conrads novels I never finished to read.)...Finally, Kipling I've actually always somehow (by instinct) considered best to avoid completely (...well, the Jungle Book, p. 1894, I only luckily missed not to read on my youthful days, I guess.) Not has read much from Wells either (...So I can't say even that much of those authors). The last mentioned – Kipling, Conrad, Wells – also situate mostly for early 1900s, not actually are (via context/their writings) typically 1800ian authors.

Like earlier discussed, the above paragraph mainly of personal opinion; Might not necessarily even represent my final judgements about those books (...in case I'd ever happen bother to view again those novels discussed). Quite a random selection/examples from 1800s literature I think over-esteemed. So, to 'pass my judgements for effect' [ :)], I'll finish this recom. by noticing we've had pretty much books from English (1800s) literature presented already. Therefore, I'll limit the English fiction aside from any of the forthcoming book reviews. (...Also, as the consequence from that I'd then have to read most from any later reviewed (fictional books/novels) as translations. As I've probably not language skills for original texts. Often a troubling aspect, as sometime before was noted....)
(G.U.J.)


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