The Frogs Have More Fun...

Flowers



"All the names I know from nurse:
Gardener's garters, Shepherd's purse,
Bachelor's buttons, Lady's smock,
And the Lady Hollyhock.

Fairy places, Fairy things,
Fairy woods where the wild bee wings,
Tiny trees for tiny dames.
- These must all be Fairy names !"

(from Child's Garden of Verses
by R.L. Stevenson)


"Anyone can write a short-story.
A bad one, I mean."

(R.L. Stevenson)
----------------

"Science without conscience is the Soul's perdition."
- Francois Rabelais, Pantagruel
- Acc to/above is citated from: Medical Apartheid. The dark history of Medical Experimentation on Black Americans from Colonial Times to the Present, by Harriet A. Washington (Doubleday ; 2006 ; p. 1.)

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"In the high society of the first half of the century, marriage, despite it's bestowal status upon the wife, was the most absurdity. Marriage, conferring instanteous rank or money, ... lost most of its prestige and moment right after the wedding. ...By the end of the century, spurred by Rousseau's moralistic Nouvelle Hèloíse, a contrary cult, that of virtue, arose. After 1770 conjugal and maternal love became not merely admissible, but, for some, moral imperatives. ...

[...]
...Rousseau, who sought for himself the crown of morality in ostensibly defending marriage, presents in his Nouvelle Hèloíse the most enticing and extended defense of illicit love ever penned. The root of the problem is that as the century progressed sensibility became confused with morality: passionate feeling, if expressed in a highly civilized mode with grace and nuance, makes us forgive the Rousseau of The Confessions, for example, his pettiness, his jealousies, his betrayals. This moral-amoral byplay, present already in the novels of Richardson, was to be more intense as the century unfolded."
-
Madelyn Gutwirth : Madame De Staèl, Novelist. The emergence of the Artist as Woman (10,15.)

;
"...As the social contract seems tame in comparison with war, so fucking and sucking come to seem merely nice, and therefore unexciting. ... To be 'nice', as to be civilized, means being alienated from this savage experience - which is entirely staged. [...] The rituals of domination and enslavement being more and more practiced, the art that is more and more devoted to rendering their themes, are perhaps only a logical extension of an affluent society's tendency to turn every part of people's lives into a taste, a choice; to invite them to regard their very lives as a (life) style." - Susan Sontag , on 'Fascinating Fascism' (-74; p 103;104-5 at Under the sign of Saturn)
; "Anyone who cannot give an account to oneself of the past three thousand years remains in darkness, without experience, living from day to day." (Goethe) - as cited by Sontag (on same compile; p. 137.)

;
"It is widely accepted that we are now living in the 'Anthropocene', a new geological epoch in which the Earth's ecosystems and climate are being fundamentally altered by the activities of humans. I loathe the term, but I can't deny that it's appropriate."
; (Goulson), Silent Earth : Averting the Insect Apocalypse (2021; p 47.)
;
"It is sometimes said that humanity is at war with nature, but the word 'war' implies a two-way conflict. Our chemical onslaught on nature is more akin to genocide. It is small wonder that our wildlife is in decline."
; (Goulson, 2021 ; 118.)
;
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"If we believe absurdities, we shall commit atrocities." (Voltaire)
- Citated from; (Joy, Melanie), Why We Love Dogs, Eat Pigs and Wear Cows : An Introduction to Carnism(2010; p. 95.)
;

"In the presence of the monster, you have eyes and ears for nothing else."
; (Flora Tristan) : London Journal of Flora Tristan: the Aristocracy and the Working Class of England ; 1842-edit. (tr: 1982. ; p. 71.)

;
"Every minority invokes justice, and justice is liberty.
A party can be judged of only by the doctrine which
it professes when it is the strongest."
Mdme de Staêl
(on) 'Consideration sur le Révolution de la Francaise' [1818]


1/22/10

Muleskinner Book recommendation #23


Marée noire (Black sea)

(Sokal)

(p. 2004)


[Recommendation 1 / 2010]



On these book recommendations, the sequence at hands again is from comics. And – not intentionally planned so, but it's (again) also duck-comics. Comics, as art-form are versatile like any other so this choice possibly owes something to the fact that my own familiarity of the comics mostly apears limited for the older stuff. Therefore, emphasized is that these selections mainly are personal favorites, and not any general advert call on behalf the duck-comics and stories. Nevertheless, in the same breath, I have to admit always been a fan of the adventures by this crime-solving duck. (If these galleries of drunkards, the 'glitter of the gutter' at them, and rewritings from detective stories clicheology can be taken as adventures).



Somewhat more downright reason to have this particular story as our next selection derives of need/aim to place these under some common theme (Sometimes we've referred to that with the term realism). More recently this aim has slipped, almost inconspicuously, for nature books /classics of the natures pasts and present as well as general ecological representaions. So, if we suppose the previously reviewed Wallace's book to categorize under that, we can also have few other of the closely similar topics, perhaps more weighed on environmental issues (like this one). Isn't at all too obvious if these have much anything in common, but anyway, remembering our most focus and writings recently been on the endangered species, this brief 'environmentalist'-serie probably goes painlessly parallel with them. (And, as result it only appears a 'torso' of a series within our books recommends. I guess we'll after this include just one other book in it (novel, research, biography, whatever that'll be).


As it was the purpose to say something from the comics this time presented we'll move on to that: The (adventures) of private investigator Ankardo - whatever is the name used in various translations - so far contains number of comic albums published since about 1970/80s. This duck-detective much resembles, even if only seemingly, the Marlowean (the hard-boiled detective created by Raymond Chandler, 1888-1959, like popularly known) archetype for an anti-heroist private investigator. That said is of course brief typifying description.


Our "hero" in the story, however, also is even more ambivalent person than the mentioned (possible) source of origin at the detective novels / film noir movies. The duck comics also mentioned (by us) as the other starting point, apparently the detective has inherited some virtues from such opposite archetype as the classic children's (and adults) 'role-model' of the comics, Barks Donald Duck – Ducks in comics are, after all capable reflecting wide range of emotions at the readers. Contrary to Unca Donald, Ankardo doesn't appear as provider or everyman(even in the humorist sense). But, similarly to what is usual also in Barks stories, his adventures take place both on imagined and actual countries and places (ranging fx from the misty Transilvanian mountains for solving the murders at holiday fishing trip; travels to no-mans-lands ravaged by internal chaos, etc.) And, further more, like the typical manner in comics they mix the realism and fantastic element, but contrary to Barks tales the emphasizing is on the realism part. This comparison doesn't do justice for either, but actually I perhaps only meant to say that the interest raises from completely opposite aspects in this duck detective, similar to the Marlowean example but little more multiform: He's also cynical and hopeless, but at the same time shows characteristic that are, partly at least, based on 'tradition of the duck-comics' (Perhaps, or something like that...).


Among these adventures the Black sea is somewhat peculiar case because it also contains the mentioned environmental aspects as it's main theme. Like one would guess the plot points to such things as the pollution of seas from accidental spills, dreadful tanker accidents or the intentional releases of the waste oil from ships. The other main topics and subjects in the story appear more usual – The terrorists represented as freedom-fighters of some obscure despotically ruled country, the observing politicians and officials following the incidents from the TV, etc, ao.


Also, in this album(/or so I had the feeling when reading it) the main issue is the futility of environmental devastation caused by oil and the general negligent from it's consequences. Terrorists - who in the story capture the oil ship and then threaten to blow it apart close coastline at some sunshine beach of the South France, their revolutionary purposes, the negotiations to prevent what seems inevitable; all that and even main character in story is placed somewhat less in the forefront. And, after the word from possible disaster is circumvented, various things start to happen...But we won't pretell the story further in this.


All what takes place happens under the news-media watching the ships capture; and so the irony generated wouldn't be any darker since it only reflects the general negligent from the humans caused oil pollution (of the seas), actual cases been noticed of continous examples in during the past years. Strikes even more for the point, since it is anybody's general knowledge oil tanker accidents singularly been the cause for deaths for hundreds thousands marine animals, not to mention the other caused harms for humans and environment.

And in this we can also refer for information from Albert Barillé's Planet Earth series (Ill Etait Une Fois... Notre Terre; chapter 8 on DVD) - which we find as much reliable source as anything here at the MSW - Listing only some mass-scale oil accidents from past decades, fx Avoco Cadiz , Atlantic Empress, Erika, Exxon Valdez, Jessica - an accident which is mentioned by itself having annihilated half the population of Marine Leguans at Galápagos, species endemic only to those islands -, Prestige (List could contain plenty other.)


It's also sometimes mentioned that illegal releases from ships outside territorial waters, also accidental leakages from inadequately structured ships, etc, all that yearly causes more oil to enter sea waters than any singular wreckages (said by no way underestimates the shocking impact for sea ecology in such cases). Of course, I don't know if the author (Sokal) may have meant it as a such direct plain descriptions from the darker side of the oil transports. Or, if it actually bases on some particular case. Anyway, appears quite suitable interpretations of its themes. Almost too effectively presented a story, even if its that bleak. For once in Ankardo's adventures, the typical sarcasm and macabre are left in the shadow of the main theme (Doesn't mean that his other adventures would lack the serious topic). Our reasons to draw attention for it? ...just as some reminder from that in addition to nowadays usually noticed arguments on behalf reducing oils there's long since been these chapters, consequences and results well known and understood decades past.


However, since the most societies still are fueled with oil, it's more problematic to say how soon the kind of realities it describes are to be viewed just as some rude practices of the past times. Even that there's all this speech and plans from the long-awaited renewable revolutions. For the record, it can also noted that actually the 'Black Sea' spares its readers from actual pictorials or scenes and views from oil-polluted seas/shorelines/animals.


Finally, at the end of our recommendations from this comic story we're not forgetting to praise Sokal's drawings and the simple efficiency story is created with - both are masterful and in itself sufficient reasons for acquiring it. (W-G.)




(Sequence/part 2 [of the 3] books at these 'environmentalist' recommendations.)

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