The Frogs Have More Fun...

Flowers



"All the names I know from nurse:
Gardener's garters, Shepherd's purse,
Bachelor's buttons, Lady's smock,
And the Lady Hollyhock.

Fairy places, Fairy things,
Fairy woods where the wild bee wings,
Tiny trees for tiny dames.
- These must all be Fairy names !"

(from Child's Garden of Verses
by R.L. Stevenson)


"Anyone can write a short-story.
A bad one, I mean."

(R.L. Stevenson)
----------------

"Science without conscience is the Soul's perdition."
- Francois Rabelais, Pantagruel
- Acc to/above is citated from: Medical Apartheid. The dark history of Medical Experimentation on Black Americans from Colonial Times to the Present, by Harriet A. Washington (Doubleday ; 2006 ; p. 1.)

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"In the high society of the first half of the century, marriage, despite it's bestowal status upon the wife, was the most absurdity. Marriage, conferring instanteous rank or money, ... lost most of its prestige and moment right after the wedding. ...By the end of the century, spurred by Rousseau's moralistic Nouvelle Hèloíse, a contrary cult, that of virtue, arose. After 1770 conjugal and maternal love became not merely admissible, but, for some, moral imperatives. ...

[...]
...Rousseau, who sought for himself the crown of morality in ostensibly defending marriage, presents in his Nouvelle Hèloíse the most enticing and extended defense of illicit love ever penned. The root of the problem is that as the century progressed sensibility became confused with morality: passionate feeling, if expressed in a highly civilized mode with grace and nuance, makes us forgive the Rousseau of The Confessions, for example, his pettiness, his jealousies, his betrayals. This moral-amoral byplay, present already in the novels of Richardson, was to be more intense as the century unfolded."
-
Madelyn Gutwirth : Madame De Staèl, Novelist. The emergence of the Artist as Woman (10,15.)

;
"...As the social contract seems tame in comparison with war, so fucking and sucking come to seem merely nice, and therefore unexciting. ... To be 'nice', as to be civilized, means being alienated from this savage experience - which is entirely staged. [...] The rituals of domination and enslavement being more and more practiced, the art that is more and more devoted to rendering their themes, are perhaps only a logical extension of an affluent society's tendency to turn every part of people's lives into a taste, a choice; to invite them to regard their very lives as a (life) style." - Susan Sontag , on 'Fascinating Fascism' (-74; p 103;104-5 at Under the sign of Saturn)
; "Anyone who cannot give an account to oneself of the past three thousand years remains in darkness, without experience, living from day to day." (Goethe) - as cited by Sontag (on same compile; p. 137.)

;
"It is widely accepted that we are now living in the 'Anthropocene', a new geological epoch in which the Earth's ecosystems and climate are being fundamentally altered by the activities of humans. I loathe the term, but I can't deny that it's appropriate."
; (Goulson), Silent Earth : Averting the Insect Apocalypse (2021; p 47.)
;
"It is sometimes said that humanity is at war with nature, but the word 'war' implies a two-way conflict. Our chemical onslaught on nature is more akin to genocide. It is small wonder that our wildlife is in decline."
; (Goulson, 2021 ; 118.)
;
----------------
"If we believe absurdities, we shall commit atrocities." (Voltaire)
- Citated from; (Joy, Melanie), Why We Love Dogs, Eat Pigs and Wear Cows : An Introduction to Carnism(2010; p. 95.)
;

"In the presence of the monster, you have eyes and ears for nothing else."
; (Flora Tristan) : London Journal of Flora Tristan: the Aristocracy and the Working Class of England ; 1842-edit. (tr: 1982. ; p. 71.)

;
"Every minority invokes justice, and justice is liberty.
A party can be judged of only by the doctrine which
it professes when it is the strongest."
Mdme de Staêl
(on) 'Consideration sur le Révolution de la Francaise' [1818]


7/11/09

MuleSkinner Book Recommendations #19


Weird Tales

(a facsimile selection...)


(By various writers)

-Ed. And foreword by Peter Haining.


264 pages.

Carroll & Graf 1990.

- Collection orig., p. in 1976.


Recommendation 9 /2009



Following our usual custom in favoring the alteration between fiction and popular science/other cultural books, the subsequent review is a collection of horror short-stories. These, notably are more in the realm of the early horror than our more commonly presented literature form(s). And so its kind of natural expansion of our earlier pick from that field, Shelley's Frankenstein. Also to mention (if only briefly) that the legendary magazine short-stories originate from, Weird Tales (W.T.), actually served as earliest mediums for the many important 20th century science-fiction authors (included are – though not with scifi exactly – Edmund Hamilton, Ray Bradbury, Theodore Sturgeon, Fritz Leiber, fx)


Weird Tales was a pulp-magazine, which flourished in the beginning of last century and was popular reading when there yet wasn't television to compete with (and the pulp as medium lived its premium time, 'a golden era of pulp' timed about 1910s-1940(?, perhaps). Pulp was first created (to loan a definition from Peter Hainings forewords) by Frank A. Munsey, who put out a paper magazine for weekly stories with the sole criteria that “story published had to be more valuable than the paper it was printed on”. Horror and fantasy literature were part of pulp publications regular material from the earliest decades. This collection, probably one of fthe first efforts to collect W.T.'s legendary shine in single volume, appeared in 1976 (for the later collections of stories, see the end of this page). Differing from many comparative horror-pulp W.T. was always extraordinary magazine and has remained in the memory long past its times.


If the W.T. was exceptional in its own, so were many from its appreciated writers. Magazines a bit macabre imago was created intentionally to offer something for horror interested public, a feature that likely emphasized its rise and shine in the eyes of its limited buyers/readers at the time. The sales were only marginal and therefore W.T. – according to Hainings foreword – made its fame by keeping strict quality in times when the similar competing editions chose more often tasteless, violent and sexist content to present. Early editors were also able catch many yet less known writers, later to achieve more famous place in the realm of horror, scifi and/or fx that 'Sword-and-magic'-stuff. Forewords also give a pretty good picture from the variety of authors it published in and so we're mostly basing our comments here on Hainings statements.


Not surprisingly some of the best stories in anthology are from renown authors like H.P. Lovecraft (1890-1937), Ray Bradbury (b. 1920), etc., (Lovecraft was also offered a place as editor of the magazine, although he rejected the offer). But, actually I think among the best there's also several written by more or less unknown names, or, they are now less remembered. Many stories carry the characteristics of being written for the brief magazine form, but sometimes it even makes them better in some sense. Of course usually the main topics are from ghosts-, monsters and superstitious beliefs, latter often typically spiced with voodoo and other such mystification. Nevertheless, among the selected there's almost none boring or dull example from the genre.


From the famous authors each is presented with one story - actually there's one from each author presented, a choice that speaks on behalf the variety of them. Similar 'heavy-weights' to above mentioned include also Clark Ashton Smith (1893-1961); with The Garden of Adompha – text from an ancient kings garden where his wizard has spelled plants to grow...horrors. And as well one from creator of Conan, Robert E. Howard (1906-1936) - a dark voodooed early 'action-story' situated in region of southern Illinois(it has rather striking racist tones, typical for Howard and found in several of his other stories too. Other ways Black Hound of Death contains very powerful narration, Howardian tales in his best.) Book also contains a poem by Howard. From magazines other early writers there's Seabury Quinn (1889-1969), who invented detective Jules Le Grandin (amongst the most popular characters at W.T. earliest days). Quinn was also the most popular - and most prolific with his 182 tales - from the early Weird Tales writers.

From others actually the ones most interesting are by less renown writers. Most are equally as good a horror, so I'll just present a list with of some favorite texts: Frozen Beauty (Seabury Quinn); Passing of a God (Henry S. Whitehead); The Valley was still (Manly Wade Wellman) ; The Phantom Slayer (Fritz Leiber, Jr). Ooze (Anthony M. Rud). And others.


Also female writers are well presented from magazines pages - Weird Tales editor from 1940 to 1954 was Dorothy McIlwright, but in stories selected by Farnsworth Wright as well there's some by women, mainly G.G.Pendarves (with The Black Monk, very good one a story) and C.L.Moore (1911-1987). Also, from magazines famous covers most were drawn by female artist, Margaret Brundage (1900-1976), and fx Brundage is also mentioned as the only female cover artist of the Pulp era. From the McIllwright's selections we find Mary Elisabeth Counselman's (d. 1995) Shot-tower ghost, efficient but perhaps bit conventional ghost-tale. Texts from Alison V. Harding and Margaret St. Claire (d. 1995) (The Little red owl)are more psychologically oriented and better therefore I think, especially the latter.


To more underline the novelty of the magazine its editors, Farnsworth Wright mostly, published adverts for readers (from magazines famous writers texts, fx). Intentionally perhaps (It seems to me), were then circulated also rumours of the exceptinal authors, who sometimes really were more strange in their backgrounds. Fx Haining mentions that Whitehead (Henry S., 1882-1932) - who based his stories a lot for the folk-stories from West-Indian islands he had traveled - was presented with authors portrait telling; '...it being widely believed two of his personal friends being werewolves.' From the above mentioned adverts Haining notices that there is a whole variety of life presented on magazines pages. W.T. struggled financially most of its publication time, which also explains this for the most part. But there's really funny side-by-side variety in these ads; some selling included authors back catalog, but also there's adverts from forest jobs, tombstones, law study home courses, portable garage, medicine for asthma, rheumatism, etc. And in between all those advert of the Weird Tales Club, a medium to get together with other fantasy and science-fiction fans, as well as the brief notice for contact if anyone having information from Wendigo, Sasquatch, Pomola, Cadborosaurus, (etc). ...And more of the same. In addition to that this collection also contains some original b/w artworks for the stories.


Finally, like we've repeatedly said, the quality is very good concerning this is stuff written for and published in semi-popular magazine. Even if some of it feels a more conventional in style than it originally was. And I also think much of stuff being that old-fashioned, presenting perhaps less violence and bloodbaths than most later creations makes it also gain some extra points. Basically, its ghouls and more regular 'creatures from behind'. Bats from hell. Wizardry spells, but as well active detectives and 'bush doctors' in case one's interested/in need of popular mysticism of the 1920'/30's. (But, of course we don't wish to give the impression of recommending any of the cults and sorceries related to such things, but presenting these as good popular fiction – just short-stories, horror being their main subject but equally often that's been created from the terrors of the inner mind.)


...and as the other anthologies are sometimes also mentioned equally good selections, I've listed some older published collections, though not in knowing from their level of quality.

----

Other books:


Weird Tales 1-4 (collections), Ed. by Lin Carter, [Zebra books]; (p. 1980, -81, -83.) - Contains earlier unpublished stuff from new writers and selections from magazines classics, probably.

Weird Tales32 Unearthed Terrors. Ed. Stefan R. Dziemianowicz - Has a story from each year the magazine was published(1923-1954).


...Probably there's more comprehensive and newer ones also available. The Weird Tales magazine also was revived in 1988 and is still published, it even recently received the Hugo Award.


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